Superb First Revival of Deborah Warner’s Peter Grimes at the Royal Ballet and Opera, Covent Garden

Premiering in 1945, with a libretto adapted by Montagu Slater from a section of George Crabbe’s 1810 narrative poem The Borough, Peter Grimes focuses on the type of outsider figure that always fascinated Benjamin Britten. Originally set in a nineteenth century Suffolk coastal village, it focuses on the clash between Grimes, a hard working fisherman who dreams of wealth and respect, and a narrow-minded and repressive community who will never judge him kindly, irrespective of what...

Xabier Anduaga, who in the coming years will almost certainly emerge as a major interpreter of Werther, is not quite there yet. The young tenor from San Sebastián’s debut in the title role was the principal draw of the current run of Werther at the Gran Teatre del Liceu, where the work had not been staged for nearly a decade. The result was an undeniable success, though there remains ground to cover. Anduaga possesses what matters most for a role that ranks among the most...

Tales of Love and Loss is not the name of one specific opera, but rather the title given to this triple bill in which all three works have been composed by women. It constitutes a Jette Parker Artist production, meaning the cast and creatives are drawn from the Royal Ballet and Opera’s programme to develop up-and-coming talent, and it is presented in the venue’s smaller Linbury Theatre to celebrate the scheme’s twenty-fifth anniversary. While the parallels can be...

The Turn of the Screw is a 1954 chamber opera by Benjamin Britten, with Myfanwy Piper’s libretto being based on Henry James’s eponymous novella of 1898. Told across a Prologue and sixteen scenes, with each of these being preceded by a variation on the twelve-note ‘Screw’ theme, it has been described as one of the most dramatically appealing of all English operas. Set in an English country house in Bly, originally in the middle of the nineteenth century, it tells...

Saioa Hernández has found in the character of Gioconda the role upon which she is building a significant part of her career. She was the most eagerly awaited singer in this new production of La Gioconda, which has just opened at the Gran Teatre del Liceu, and this marks the sixth different staging of Amilcare Ponchielli’s opera in which the Madrid-born soprano has taken part. That is no small achievement, given that the work, though not a rarity, is performed relatively...

Kurt Weill’s Rise and Fall of the City of Mahagonny, with a libretto by Bertolt Brecht and Elisabeth Hauptmann, describes the establishing and subsequent implosion of a city that is designed to give people fun because, it is asserted, there is nothing else in the world on which to rely. Situated somewhere in America, it is initially founded by three fugitives (Leokadja Begbick, Fatty the Bookkeeper and Trinity Moses) who find themselves unable to flee any further from the pursuing...