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Il trovatore at the Royal Opera House, Covent GardenSam Smith
Giuseppe Verdi’s Il trovatore of 1853 is based on Antonio García Gutiérrez’s play El trovador. Set in fifteenth century Spain it tells of the noble lady Leonora who is in love with the troubadour Manrico, but is herself loved by the Count di Luna, a nobleman in the service of the Prince of Aragon. The Count’s younger brother Garzia supposedly died in infancy when a gypsy was burnt at the stakefor allegedly bewitching him, and the charred body of a baby was...
Charles Gounod Romeo et Juliette at the Vienna State OperaHelmut Pitsch
French composer Charles Gounod was deeply religious and even he did not decide for a clerical career his strong belief dominated his life. His surviving opus consists of many sacred works but also 12 operas of which only two gained world-wide popularity, Faust and Roméo et Juliette. They are good examples of the French Opéra Lyrique, of which Charles Gounod is a leading representative. © Wiener Staatsoper GmbH / Michael Pöhn © Wiener Staatsoper...
Beczala, sublime WertherXavier Pujol
Looked down on by the official cultural savants (including psychoanalysts) for embodying the trivialisation and heavy-handed simplification of one of the most powerful love stories of the western culture, almost like a creation myth; and despised as well by the scholarly musicology of the 20th century that considered Massenet to colour everything with an unbearable bourgeois temperateness and a sticky and decorative sweetness, Werther is one of those “Cinderella” titles that...
Der Rosenkavalier at the Royal Opera House, Covent GardenSam Smith
Like Rossini’s Il barbiere di Siviglia and Donizetti’s Don Pasquale, Richard Strauss’ Der Rosenkavalier is the story of an ageing man attempting to put himself between two young lovers. In addition, it features an older woman who is also capable of standing in the way of the couple, but who honourably chooses not to do so. Princess Marie Thérèse von Werdenberg, known as the Marschallin, enjoys a relationship with Octavian, despite the fact that she is...
Elektra: Patrice Chéreau’s testamentXavier Pujol
Staging Elektra at Aix-en-Provence’s Festival in summer 2013 was Patrice Chéreau’s last work, since the film, theatre and opera director died in October of the same year. Having visited Milano, New York, Berlin and Helsinki, this production has finally arrived to Barcelona, with almost the same vocal cast that premiered it three years ago, who worked under direct orders from Chéreau himself. They are meeting again in Barcelona, for the last time it looks like,...
The English Cat in GermanyAchim Dombrowski
The State Opera of Lower Saxony in Hannover certainly is among the most creative and adventurous opera theatres in Germany taking pride in presenting a carefully structured and thought through program for many years by now. Not only is the programming ensuring the encounter of the audience with exciting new opera compositions and alternative scenic realizations, in addition the singers are so carefully chosen for the upcoming productions that even a rarely performed, rather exotic opus...