Schedule
Glossary
show the glossarySearch
Connect
-
Connect to your account
-
Create your account
Community
Columnist space
Sam Smith
Smith
Sam
Londres
United Kingdom
Chroniqueur depuis le 11 March 2015
Toutes ses chroniques .228
A Dark and Unrelenting New Production of The Turn of the Screw...
Sam SmithThe Turn of the Screw is a 1954 chamber opera by Benjamin Britten, with Myfanwy Piper’s libretto being based on Henry James’s eponymous novella of 1898. Told across a Prologue and sixteen scenes, with each of these being preceded by a variation on the twelve-note ‘Screw’ theme, it has been described as one of the most dramatically appealing of all English operas. Set in an English country house in Bly, originally in the middle of the nineteenth century, it tells...
Persuasive New Production of Rise and Fall of the City of Maha...
Sam SmithKurt Weill’s Rise and Fall of the City of Mahagonny, with a libretto by Bertolt Brecht and Elisabeth Hauptmann, describes the establishing and subsequent implosion of a city that is designed to give people fun because, it is asserted, there is nothing else in the world on which to rely. Situated somewhere in America, it is initially founded by three fugitives (Leokadja Begbick, Fatty the Bookkeeper and Trinity Moses) who find themselves unable to flee any further from the pursuing...
Best Revival Yet of Phelim McDermott’s Così fan tutte for Engl...
Sam SmithOriginally set in Naples, Così fan tutte of 1790 sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that they agree to a wager with him. They will pretend to be called away to war and then return disguised as Albanians to try to win over the...
Fantastic Cast in Boris Godunov at the Royal Ballet and Opera,...
Sam SmithBoris Godunov is Modest Mussorgsky’s only completed opera, and widely considered to be his masterpiece. Its subjects are the eponymous Russian ruler, who reigned as Tsar from 1598 to 1605, and the False Dmitry I, who succeeded him almost immediately but was killed a year later. The Russian language libretto was written by the composer, and is based on Pushkin’s blank verse drama Boris Godunov as well as Nikolay Karamzin’s History of the Russian...
Ermonela Jaho is a Highly Sensitive Violetta in La traviata at...
Sam SmithGiuseppe Verdi’s La traviata of 1853, with a libretto by Francesco Maria Piave, is one of the most frequently performed operas in the world today. Based on Alexandre Dumas fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live...
Outstanding Musical Credentials in Ariodante at the Royal Ball...
Sam SmithAriodante HWV 33 is an opera seria in three acts by George Frideric Handel. The anonymous Italian libretto was based on a work by Antonio Salvi, which had itself been adapted from Canti 4, 5 and 6 of Ludovico Ariosto’s Orlando Furioso. It premiered at London’s Covent Garden Theatre on 8 January 1735, and received eleven performances during its initial run. It was revived by Handel for his 1736 season, but then went unperformed until it appeared in Stuttgart in 1926....
