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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .219

English National Opera’s Partenope is as Strong as Ever at the...

Sam Smith

Georg Friedrich Haendel’s Partenope, which premiered at the King's Theatre in London on 24 February 1730, follows the structure and forms of opera seria. It can hardly be described as such, however, since it is so humorous in tone, while the music is relatively light textured. Its libretto was adapted by an unknown hand from one originally written in 1699 by Silvio Stampiglia, and the story’s frivolous nature led the opera company the Royal Academy of Music to reject the...


Katie Mitchell’s New Production of The Makropulos Case at the ...

Sam Smith

Composed between 1923 and 1925, The Makropulos Case, with music and libretto by Leoš Janáček, is based on Karel Čapek’s eponymous play. Originally set in Prague in 1922, it concerns a hundred year old probate case entitled Gregor v. Prus. When Baron Joseph Ferdinand Prus died in 1827 his cousin claimed the estate, but so too did one Ferdinand Gregor, who asserted that the Baron had promised it to him. While the people originally involved are long dead, their...


English National Opera’s Powerful Production of Jake Heggie’s ...

Sam Smith

Jake Heggie’s Dead Man Walking, with a libretto by Terrence McNally, premiered in 2000 at the War Memorial Opera House, San Francisco, and has appeared at The Metropolitan Opera. In spite of this, it has only ever enjoyed a smattering of outings in the United Kingdom, including a semi-staged performance at the Barbican in 2018, and productions by Welsh National Opera and the Guildhall School of Music & Drama in 2019 and 2023 respectively. In fact, Annilese Miskimmon’s new...


Superb Performances and Playing in English National Opera’s Al...

Sam Smith

Benjamin Britten’s chamber opera Albert Herring, Op. 39, with a libretto by Eric Crozier, is based on Guy de Maupassant’s 1887 novella Le Rosier de Madame Husson, albeit with the action transposed to an English setting. Set around 1900 in Loxford, which is a fictitious town but typical of those to be found in East Suffolk, it sees Lady Billows and the community’s elite attempt to organise the annual May Day festival. They need to elect a May Queen, but the housekeeper...


A Stark and Powerful Carmen for English National Opera at the ...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875, with a libretto by Ludovic Halévy and Henri Meilhac, is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once they are besotted with her, however, she quickly moves on, leaving them heart broken and unable to accept what has happened.  In the opera Don José, an army...


David McVicar’s Classic Production of The Magic Flute at the R...

Sam Smith

Wolfgang Amadeus Mozart’s final opera The Magic Flute, which premiered on 30 September 1791 just a few months before his death, takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro, who she claims is evil. As Tamino goes about his quest, however, and falls in love with Pamina, he learns that things are the other way around. The Queen...