The Great Gatsby: A Masterpiece of Design at the London Coliseum

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today, and the Royal Opera has been putting a special focus on the work in its 2021/22 season. By the end of this month no less than six different singers will have taken on the main role with Lisette Oropesa, Kristina Mkhitaryan and Anush Hovhannisyan having sung it across a dozen performances last autumn. The opera now returns for thirteen outings in April 2022, as well as a live cinema...

Premiering in 1945, with a libretto adapted by Montagu Slater from George Crabbe’s eponymous narrative poem, Peter Grimes focuses on the type of outsider figure that always fascinated Benjamin Britten. Set in a nineteenth century Suffolk coastal village referred to simply as ‘the borough’, it focuses on the clash between Grimes, a hard working fisherman who dreams of wealth and respect, and a narrow-minded and repressive community who will never judge him kindly,...

Così fan tutte of 1790 is the third and final opera (after Le nozze di Figaro and Don Giovanni) on which Mozart collaborated with the librettist Lorenzo Da Ponte. Originally set in Naples, it sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that...

Some productions are tremendous on their first outing and never quite manage to recapture the same brilliance in subsequent revivals. Others discover that they need an initial outing before they find their feet, and the Royal Opera’s Rigoletto, from its Director of Opera Oliver Mears, would seem to fall into this latter category. It first appeared last September, but, aided by an outstanding cast, its first revival feels leaner and meaner in a great many ways. The good news is that...

Achieving perfection in opera, the most complex form of artistic expression that Western culture has ever created, is not easy, but when it is achieved, the result is magical. The Pelléas et Mélisande currently on stage at Liceu does not reach perfection but it is very, very close to it and it is more than likely that it will become the great show of the season on an artistic level and will remain for many years in the theatre’s memory. Pelléas et...

Composed between 1921 and 1923, Leoš Janáček’s The Cunning Little Vixen is based on the serialised novella Liška Bystrouška by Rodolf Těsnohlídek of 1920. This first appeared in the newspaper Lidové noviny, with illustrations by Stanislav Lolek, and Janáček adapted its words to arrive at the final libretto for the opera. A more literal translation of the Czech title would be Tales of Vixen Sharp-Ears, and the story tells of the...