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Bruno de Sá: “Opera business doesn’t reflect the discussions we’re having in our society”
Don’t call him countertenor! Bruno de Sá’s golden male soprano is becoming one of the most sought-after voices not only in the baroque milieu, but also anywhere soprano lines are required. We met him at the Verbier Festival, where he performed Pergolesi’s Stabat Mater with conductor Reinhard Goebel and mezzo-soprano Anna Lucia Richter. He spoke about the challenges of finding his own way through the opera milieu since he discovered his singular tessitura with...
Angela Meade: “Now I am able to take on some of the heavier Verdi roles”
Soprano Angela Meade is famous for her incredibly powerful interpretations of Italian opera throughout the world on the most prestigious stages. We met her at the Verbier Festival where she was singing Amelia in Verdi’s Un ballo in maschera… *** Opera Online: Psychologically, Amelia might be one of the most sincere characters in Un ballo in maschera. How do you portray that in your singing? Angela Meade: In terms of technique, it’s not just blasting stuff,...