The Great Gatsby: A Masterpiece of Design at the London Coliseum

Premiering in 1893, Engelbert Humperdinck’s Hansel and Gretel, with a libretto by his sister Adelheid Wette, is based on the eponymous fairytale that was recorded by the Brothers Grimm and published in 1812. It follows the Grimm version of the story reasonably closely, although there are a few notable differences including the fact that the Mother here is not intent on losing the children in the forest so that she and her husband might survive the hard times. She sends them there to...

As this year marks the centenary of Giacomo Puccini's death, it is safe to say that his operas are ageing well, based on the box office figures. This is probably due to both musical and dramatic factors. On the one hand, the expressive musical resources employed by the composer, without preparation or preamble, always stepping on the emotional accelerator and seeking impact, place his procedures in a terrain very close to that of mid-20th century film music. In fact, we could say that...

The Pirates of Penzance; or, The Slave of Duty is the fifth Gilbert and Sullivan collaboration, and premiered in New York City on 31 December 1879. It made its London debut on 3 April 1880, and was warmly received with the critical consensus being that it represented a significant advance on the duo’s earlier works. The Herald in New York suggested that ‘the new work is in every respect superior to the Pinafore, the text more humorous, the music more elegant and more...

Premiering in Milan in 1832, The Elixir of Love, with a libretto by Felice Romani, is one of Gaetano Donizetti’s most popular operas. Originally set in a village in the Basque Country at the end of the eighteenth century, it sees the peasant Nemorino love the landowner Adina, even as she tells him she is fickle and that he should forget her. When, however, she reads the legend of Tristan and Isolde, Nemorino is inspired to ask travelling quack doctor Dulcamara if he has any of the...

Jacques Offenbach’s The Tales of Hoffmann is based on three short stories by E. T. A. Hoffmann, with the French libretto having been written by Jules Barbier. It premiered at the Théâtre National de l’Opéra-Comique in Paris on 10 February 1881, but Offenbach never got to see it having died four months earlier. It had, however, been presented in an abridged form at the composer’s house, 8 Boulevard des Capucines, on 18 May 1879, and a version that...

Anna Pirozzi's inexhaustible forza and accuracy, stylistic appropriateness and the beauty of her singing were the main reasons for the success of the premiere of La Forza del destino at Liceu. Nicola Luisotti's great musical direction and the magnificent singing of Brian Jagde and Artur Ruciński were also very important, but it was the Neapolitan soprano's performance that brought the audience to its feet at the end. With three highly demanding arias, a duet with the tenor...