Liceu: I Capuleti e i Montecchi. Oropesa and Lupinacci Make a Great Work of an Imperfect Opera

An opera does not have to apologise for not being a Shakespearean tragedy. Vincenzo Bellini’s I Capuleti e i Montecchi shares its protagonists and tragic ending with the English playwright’s drama, but belongs to an earlier Italian tradition that had already shaped the story of the two lovers. It is not an adaptation of Shakespeare that should be judged by its fidelity to the original, but another way of telling a story that has taken many forms. To compare the two as though...

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...

Angel’s Bone, by composer Du Yun and librettist Royce Vavrek, began life in 2011 as a 35-minute chamber opera that had been commissioned by Philadelphia’s Mann Center for Performing Arts. It was then developed into a full length (although still one act) opera, with the premiere of this 80-minute version taking place on 6 January 2016 at the 3LD Art & Technology Center in Lower Manhattan. The story sees two Angels, simply referred to as the Boy Angel and Girl Angel,...

Aida, the opera performed more often than any other at the Liceu, was chosen to open the present season. In that respect, then, there was nothing particularly new. The attraction of this opening-night Aida lay, on the one hand, in Anna Netrebko’s Liceu debut in a staged role and, on the other, in the new production, directed by the Iranian artist Shirin Neshat. This production wasoriginally created for the Salzburg Festival in 2017 and substantially revised by the director herself...

The story to be found in George Frideric Handel’s Alcina, which first appeared at the Theatre Royal, Covent Garden in 1735, comes from Ludovico Ariosto’s epic sixteenth century poem Orlando furioso. It was employed for many operas, one of which was Riccardo Broschi’s L'isola di Alcina, which premiered in Rome in 1728. Handel acquired Antonio Fanzaglia’s libretto for it the following year during his travels in Italy, and that for his own opera was arranged by...

Few works are at once as light-hearted and as profound as Falstaff. Giuseppe Verdi chose to end his operatic career with a comedy when everyone was expecting another tragedy. Yet beneath the laughter lies a lucid reflection on old age, the passing of time, appearances and the human condition. The laughter in Falstaff is never superficial. Shakespeare, who created the character, had already mastered the art of blending the sublime with the grotesque, humour with melancholy, and Arrigo...