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La Cenerentola in Zürich with Cecilia Bartoli

Helmut Pitsch

In only 24 days, Maestro Gioachino Rossino created his masterpiece La Cenerentola. The date of the world premiere was fixed even before the title, the libretto or the plot of the opera was known. So once the old fairytale was decided to be the story, Rossini recycled out of former composition and created this opera buffo, including semiseria parts. The first performance was rejected by the audience but soon the work started its triumphal success worldwide, being even the first opera to be...


Maria Stuarda, soprano or mezzo?

Jorge Binaghi

The answer to this question depends (as it usually does, and especially when it comes to a ‘belcanto’ opera) on the particular singer.  Barcelona has always seen, until now, the soprano version, the best known, but Malibran’s  voice was certainly not the kind of Ronzi de Begnis’ (furthermore, the latter had sung at Naples Buondelmonte  while Malibran was the first Stuarda at Milano when the opera appeared for the first time with its actual...


Richard Strauss Schlagobers at Gaertnerplatztheater Munich

Helmut Pitsch

This rarely performed ballet of Richard Strauss is full of lovely late romantic music, enriched by expressionist and Vienese waltz contrasts. Schlagobers is the Austrian word for whipped cream and that brings you to the story. A little boy is invited by his aunt to the famous Vienese pastry shop Dehmel, on an all you can eat basis. This ends up with a visit at the hospital and traumatic encounters with all his sweet favorites. Based on the successful appearence of his first ballett...


La Scala's new season opening : Fidelio

Alain Duault

La Scala’s season opening every 7 December is always a major event, but this year the excitement is especially high as it marks Daniel Barenboim’s farewell to this theatre to which he gave his all. And we must first of all admire his performance: his conducting, ample, powerful and taut without any superfluous showmanship, perfectly sums up the spirt of Beethoven's only opera, the morality of an upright man stated in clear and radiant sound by a constantly renewed dynamic,...


Sonya Yoncheva in the Met’s ‘La Bohème’

Thibault Courtois

You could sense fear in the audience when Peter Gelb, General Manager of the Metropolitan Opera showed up on the stage with a microphone when everyone was expecting Ricardo Frizza to appear in the pit. Gelb had bad news and good news, as he said. Ramon Vargas had cancelled last minute but fortunately, the Met was able to fly in Bryan Hymel from Chicago earlier the same day. Gelb also announced that Sonya Yoncheva, the lead soprano, had a new born five weeks ago (general “awwww”...


Wiener Blut by Johann Strauss at Gärtnerplatztheater Munich

Helmut Pitsch

After his successful operettes Fledermaus and Zigeunerbaron, old aged Johann Strauss was asked to compose one more "hit" to rescue a financially stressed impresario and theatre manager in Vienna. In order to complete the task Johann Strauss created a pasticcio of some of his beloved melodies. The well reputated librettist Leo Stein and Victor Leon delivered the amusing textbook full of irritations around a Vienese aristrocatic playboy serving several intriguing lovestories....


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