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Rigoletto : It’s in the Box !Alain Duault
Rigoletto is one of the cornerstones of the repertory of a great opera house like the Paris Opera: you cannot, must not miss it. But at the same time you can’t simply keep repeating conventional images of it. It needs to be part of that ceaselessly shifting movement that still today makes us talk about opera, even in the case of these works from the past. In 1851, Verdi was 38 years old: Rigoletto is thus an opera from his mature period – but most of all...
Boccanegra with an unexpected debutXavier Pujol
Barcelona. Gran Teatre del Liceu. 12/04/2016. Verdi, Simon Boccanegra. Leo Nucci, baritone. Barbara Frittoli, soprano. Josep Bros, tenor. Vitalij Kowaljow, bass. Àngel Òdena, baritone. Damián del Castillo, baritone. Francisco Vas, tenor. Raquel Lucena, soprano. Symphonic Orchestra of Gran Teatre del Liceu. Choir of Gran Teatre del Liceu. Massimo Zanetti, conductor. José Luís Gómez, stage director. Susana Gómez, rerun of the staging....
Otello at the Salzburg Easter FestivalHelmut Pitsch
Dark and mysterious is the start of this new production of Otello at the Easter Festival in Salzburg. Desdemona and Otello appear on the vast empty stage embracing each other till the music starts. A huge soft transparent piece of cloth is smoothly waving over the stage like a huge sail and vail. And here he is. Un angelo - the angel, an idea and addition to the cast by French director Vincent Boussard. Played by the dancer Sofia Pintzou, the angel accompanies the story throughout the...
Un ballo in maschera at the Bayerische StaatsoperHelmut Pitsch
The Bavarian state opera continues its cycle of new productions of operas by Guiseppe Verdi. After Il Trovatore, Rigoletto and La Forza del Destino, it is now Un ballo in Maschera to get its new presentation, directed by the young German Johannes Erath. Being a talented musician originally, he started later to become a director and worked with Willy Decker and Peter Konwitschny. Once more, the libretto of this fine Verdi opera is rather simple, clear and straight forward. This fast...
Das Liebesverbot at Madrid: the ‘other’ WagnerJorge Binaghi
A little known Wagner, and with a dubious reputation, basically because of its exclusion from the true ‘corpus’ at Bayreuth, wherefrom it was banned together with Die Feen and Rienzi by composer and family. It’s strange that in the most sacred place of Wagnerism it’s impossible to see an opera that, following a wonderful work by Shakespeare much more ambiguous, complex and finally interesting than the libretto written by the author, the typical ‘opera...
La Traviata at the Royal Opera House, Covent GardenSam Smith
Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...