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Intolleranza 1960: The icy wind of history

Helmut Pitsch

Intolleranza 1960 at the Komische Oper Berlin The icy wind of history The first production of the 2022/23 season at the Komische Oper Berlin, and at the same time the start of the new general management by Philip Bröking and Susanne Moser, could not have been more visually spectacular: The entire auditorium was covered with endless metres of white, semi-transparent tulle.  You still remember the packaging artists Christo and Jeanne Claude? The wrapped Reichstag in Berlin...


Christof Loy Presents a New Production of Tosca at the London ...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, occurs on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially triumphant and sent news of victory back to...


Don Pasquale, the Opera That Never Fails

Xavier Pujol

It is difficult to achieve great success when singing or conducting Don Pasquale, but it is also difficult to fail. Don Pasquale, the last capolavoro of opera buffa, is a comfortable and friendly work which does not present major problems. Vocal requirements are important though perfectly acceptable for professional singers and the same goes for the orchestral part. The work is not one of those mythical titles in the repertoire that make or break a career. There are devotees of...


A Strangely Moving Aida from Robert Carsen at the Royal Opera ...

Sam Smith

Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871, with a libretto by Antonio Ghislanzoni, centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasro is captured in battle, with the...


Fifth Revival of Kasper Holten’s Don Giovanni at the Royal Ope...

Sam Smith

Don Giovanni of 1787 is one of three operas that Mozart wrote with the librettist Lorenzo Da Ponte (the others being Le nozze di Figaro and Così fan tutte). It tells of the eponymous hero, or rather antihero, who effortlessly conquers thousands of women. Although in the process he makes many enemies, the ladies he has cheated have a habit of coming back for more or trying to save him, and in the end he is responsible for his own downfall. When the ghost of the Commendatore...


Strong Voices and Characterisations in Madama Butterfly at the...

Sam Smith

Set in Nagasaki, Puccini’s Madama Butterfly of 1904-07, with a libretto by Giuseppe Giacoso and Luigi Illica, explores the relationship between the American naval officer Pinkerton and Cio-Cio-San from the city’s Omara district. Cio-Cio-San, who Pinkerton knows as Madam Butterfly, takes their love so seriously that she converts to Christianity, and is consequently ostracised by her family. He, on the other hand, sees their marriage as being akin to his Japanese house,...


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