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Sam Smith
Smith
Sam
Londres
United Kingdom
Chroniqueur depuis le 11 March 2015
Toutes ses chroniques .210
Star Performances in Oliver Mears’ New Production of Tosca at ...
Sam SmithBased on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...
Sixth Revival of David McVicar’s Faust at the Royal Ballet and...
Sam SmithCharles-François Gounod’s Faust, with a libretto by Jules Barbier and Michel Carré, premiered at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859. It underwent several revisions over the following decade, including the insertion of a ballet into Act V to meet the expectations of grand opera, and was extremely popular in the nineteenth century. It was the work with which New York’s Metropolitan Opera opened for the first time on...
Pimpinone: First Ever Performance of a Telemann Opera at the R...
Sam SmithAlthough Georg Philipp Telemann is acclaimed as one of the greatest Baroque composers, and one of the most prolific ever in terms of volume of output, his operas have been somewhat neglected. This performance of Pimpinone, or, to give it its full title, Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden (The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid), represents the first time that Covent Garden...
The Great Gatsby: A Masterpiece of Design at the London Coliseum
Sam SmithIt is exactly one hundred years since F. Scott Fitzgerald’s The Great Gatsby was published in 1925. It received generally positive reviews, but some critics felt it compared unfavourably with his previous novels This Side of Paradise (1920) and The Beautiful and Damned (1922), and it was not a great commercial success. In fact, when Fitzgerald died in 1940 he believed himself to be a failure and that his work would soon be forgotten. However, during World War II the Council on...
Aigul Akhmetshina Dazzles in Carmen Once More at the Royal Bal...
Sam SmithBased on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875, with a libretto by Ludovic Halévy and Henri Meilhac, is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal,...
First Rate Revival of Andrei Serban’s Turandot at the Royal Ba...
Sam SmithTurandot, with a libretto by Giuseppe Adami and Renato Simoni, is Giacomo Puccini’s final opera. It was left unfinished at the time of his death in 1924, and posthumously completed by Franco Alfano before premiering at Milan’s Teatro alla Scala in 1926. There have subsequently been other completions of the score, most notably by Luciano Berio in 2001, but the Alfano version remains the most frequently performed, and is the one used in this instance. Set in Peking in...