Iolanthe; or, The Peer and the Peri of 1882 is the seventh of Gilbert and Sullivan’s fourteen collaborations. It was their first work to premiere at the Savoy Theatre (although Patience had transferred there in 1881) and ran for 398 performances, while also appearing extensively across the United Kingdom and America. It concerns a Fairy named Iolanthe who marries a mortal man. Although this is a capital offence under Fairy law, the Queen of the Fairies curtails her punishment to...

Composer George Benjamin and librettist Martin Crimp have already had two major successes on the main stage of the Royal Opera House. Written on Skin, which appeared at Covent Garden in 2013 and 2017, may now be the most frequently performed opera written in the twenty-first century, and it was followed by Lessons in Love and Violence in 2018.  Benjamin and Crimp’s first collaboration, however, was a chamber opera entitled Into the Little Hill in 2006, and it is to this...

Set in eighteenth century Spain, Giuseppe Verdi’s La forza del destino sees the Marquis of Calatrava oppose his daughter Leonora’s desired union with her South American lover Don Alvaro, believing he is not good enough for her. When, however, Don Alvaro surrenders himself to prove that he never violated her, he throws down his pistol and accidentally kills the Marquis when it goes off. Leonora’s brother Don Carlo sets out to avenge his father’s death but he and Don...

Das Rheingold is the first opera in Richard Wagner’s tetralogy Der Ring des Nibelungen or Ring Cycle. It sets in motion the story that plays out across the four operas, and establishes the central theme of power versus love. It sees the dwarf, or Nibelung, Alberich steal the gold that is guarded by the Rhinemaidens and forge it into a ring that makes the bearer all powerful. He is only able to do so, however, by renouncing love, which in the world we see before us no one has...

Giuseppe Verdi’s Don Carlo, which premiered in 1867 in Paris as Don Carlos, exists in several versions, and, depending on which is performed, is either his longest or one of his longest operas. Although the first performance was in French, Nicholas Hytner’s 2008 production for the Royal Opera, which represents a co-production with the Metropolitan Opera, New York and the Norwegian National Opera and Ballet, employs the Modena version of 1886. This is one of several to...

Bushra El-Turk’s Woman at Point Zero, with a libretto by Stacy Hardy, is based on Nawal El Saadawi’s 1975 novel Point Zero. Having already appeared in France (at the Aix-en-Provence Festival), Belgium and Luxembourg, it now comes to the Royal Opera House to take centre-stage at this year’s Engender Festival, an initiative to transform gender representation in opera and music theatre. The production is by LOD Music Theatre, and it is co-presented as part of the Aldeburgh...