Jacques Offenbach’s The Tales of Hoffmann is based on three short stories by E. T. A. Hoffmann, with the French libretto having been written by Jules Barbier. It premiered at the Théâtre National de l’Opéra-Comique in Paris on 10 February 1881, but Offenbach never got to see it having died four months earlier. It had, however, been presented in an abridged form at the composer’s house, 8 Boulevard des Capucines, on 18 May 1879, and a version that...

Based on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in which...

The Turn of the Screw is a 1954 chamber opera by Benjamin Britten, with Myfanwy Piper’s libretto being based on Henry James’ eponymous novella of 1898. Told across a Prologue and sixteen scenes, with each of these being preceded by a variation on the twelve-note ‘Screw’ theme, it has been described as one of the most dramatically appealing of all English operas. Set in an English country house in Bly, originally in the middle of the nineteenth century, it...

Leonard Bernstein composed his one act opera Trouble in Tahiti in 1952, and on this occasion wrote the libretto himself. It concerns a married couple who on the surface have it made with their beautiful suburban home, but who find it difficult to live with each other and constantly bicker and fight. In 1983 he wrote A Quiet Place, which considers where the same family’s members are thirty years later. While performing both in the same evening would seem an obvious thing to...

Fidelio is the only opera that Beethoven ever wrote. Originally entitled Leonore, oder Der Triumph der ehelichen Liebe, with the libretto prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, it premiered at the Theater an der Wien on 20 November 1805. The following year Beethoven’s friend Stephan von Breuning rewrote the libretto to create a second version that shortened the opera from three acts to two. In 1814 Beethoven revised his opera yet again,...

Giacomo Puccini’s Il trittico, which premiered at the Metropolitan Opera in 1918, is a triptych of one-act operas comprising Il tabarro, Suor Angelica and Gianni Schicchi. The composer originally intended for each opera to reflect one part of Dante’s Divina Commedia, although in the event only the final work is based on the poem. As a result, the only theme that really underpins the operas is that they all involve, in one way or another, the concealment of a...