Columns linked to Royal Opera House Covent Garden

Sarah Angliss’s Giant Enjoys its London Premiere at the Royal ...

Sam Smith

Giant, with music by Sarah Angliss and libretto by Ross Sutherland, was commissioned by Britten Pears Arts and first appeared at the Aldeburgh Festival in 2023. It explores the relationship between the eighteenth century British surgeon John Hunter and Charles Byrne who, measuring seven feet, seven inches (judged by his skeletal remains) was known as ‘The Irish Giant’. Following Byrne’s death in 1783, Hunter arranged for his body to be stolen while it was on its way to...


Third Revival of Tim Albery’s The Flying Dutchman at the Royal...

Sam Smith

The Flying Dutchman, which premiered in Dresden in 1843, is the fourth of Richard Wagner’s thirteen operas, and considered to be his first mature one. This is because it is the first still to be regularly staged, with Wagner himself having ruled that the three that preceded it should never be performed at his Festspielhaus in Bayreuth. The composer had been inspired to write the opera following a stormy sea crossing he made from Riga to London in 1839, and the story is taken from...


Christof Loy’s New and Nuanced Production of Elektra at the Ro...

Sam Smith

Based on the Sophocles tragedy, Richard Strauss’s Elektra of 1909 represents the first of his several collaborations with librettist Hugo von Hofmannsthal, who in this instance had already written an eponymous play. It is the second of Strauss’s two highly modernist operas, and deploys dissonance, chromaticism and extremely fluid tonality to an even greater degree than his first, Salome.  The opera is expressionistic in every sense since the adaptation of the...


Hansel and Gretel Provides a Festive Treat at the Royal Opera ...

Sam Smith

Engelbert Humperdinck’s Hansel and Gretel, with a libretto by his sister Adelheid Wette, is based on the eponymous fairytale that was recorded by the Brothers Grimm and published in 1812. It follows the Grimm version of the story reasonably closely, although there are a few notable differences including the fact that the Mother here is not intent on losing the children in the forest so that she and her husband might survive the hard times. She sends them there to collect berries as a...


Oliver Mears’s New Production of Jephtha at the Royal Opera Ho...

Sam Smith

Composed in 1751, Handel’s Jephtha is based on the story from Judges XI and George Buchanan’s 1554 play Jephthes, sive Votum. It sees the Israelite Jephtha triumph in battle over the Ammonites, but then face the most dreadful situation. This is because he had vowed that if he were victorious he would sacrifice the first living creature he saw on his return, and this turns out to be his daughter Iphis. To make the work acceptable to an eighteenth century audience,...


George Benjamin’s Picture a Day Like This Comes to the Royal O...

Sam Smith

Composer George Benjamin and librettist Martin Crimp have already had two major successes on the main stage of the Royal Opera House. Written on Skin, which appeared at Covent Garden in 2013 and 2017, may now be the most frequently performed opera written in the twenty-first century, and it was followed by Lessons in Love and Violence in 2018.  Benjamin and Crimp’s first collaboration, however, was a chamber opera entitled Into the Little Hill in 2006, and it is to this...