Columns linked to Royal Ballet and Opera

Ted Huffman’s New Production of Eugene Onegin at the Royal Bal...

Sam Smith

Piotr Tchaïkovski’s Eugene Onegin, which premiered in Moscow in 1879, is based on Alexander Pushkin’s eponymous verse poem. The libretto, which was organised by the composer himself, closely follows certain passages in its source material and retains much of the poetry. Set in the 1820s in and around St Petersburg, it sees Tatyana, the daughter of landowner Madame Larina, fall in love with one Eugene Onegin. She is introduced to him when her sister Olga’s...


Wondrous Conducting and a Fine Cast in Tosca at the Royal Oper...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...


Nadine Sierra Heads an Outstanding Cast in Lucia di Lammermoor...

Sam Smith

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835, with a libretto by Salvadore Cammarano, is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry the...


Aigul Akhmetshina Shines in Carmen at the Royal Opera House, C...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has the sweet, loving...


Sarah Angliss’s Giant Enjoys its London Premiere at the Royal ...

Sam Smith

Giant, with music by Sarah Angliss and libretto by Ross Sutherland, was commissioned by Britten Pears Arts and first appeared at the Aldeburgh Festival in 2023. It explores the relationship between the eighteenth century British surgeon John Hunter and Charles Byrne who, measuring seven feet, seven inches (judged by his skeletal remains) was known as ‘The Irish Giant’. Following Byrne’s death in 1783, Hunter arranged for his body to be stolen while it was on its way to...


Third Revival of Tim Albery’s The Flying Dutchman at the Royal...

Sam Smith

The Flying Dutchman, which premiered in Dresden in 1843, is the fourth of Richard Wagner’s thirteen operas, and considered to be his first mature one. This is because it is the first still to be regularly staged, with Wagner himself having ruled that the three that preceded it should never be performed at his Festspielhaus in Bayreuth. The composer had been inspired to write the opera following a stormy sea crossing he made from Riga to London in 1839, and the story is taken from...