As the curtain falls on Moshe Leiser and Patrice Caurier’s Madama Butterfly, the Royal Opera House swaps tragedy for comedy with the second revival of the same directors’ 2005 production of Il turco in Italia. Rossini’s thirteenth opera of 1814 is a comedy of errors involving a series of love triangles between various Turkish and Italian characters. The added twist is that many of these ‘errors’ are deliberately engineered by the poet Prosdocimo as he...

Set in Japan, Puccini’s Madama Butterfly of 1904 explores the relationship between the American naval officer Pinkerton and the Nagasaki born Cio-Cio-San, whom he both affectionately and patronisingly addresses as Madam Butterfly. She takes their love so seriously that she converts to Christianity, and is consequently ostracised by her family. He, on the other hand, sees their marriage as being akin to his Japanese house, which he has on a 999-year lease that he can cancel at any...

Kurt Weill’s Rise and Fall of the City of Mahagonny is something of an operatic oddity. It describes the establishing and subsequent implosion of a city that is designed to give people fun because, as its founders assert, there is nothing else in the world to rely on. Weill and librettist Bertolt Brecht were writing predominantly about the world they saw around them in 1930, but their depiction of Mahagonny, and by extension society in general, feel highly relevant today. They...

Hot on the heels of the triumphant new production of Andrea Chenier with the A team of Pappano / Kaufmann, comes this revival of Tim Albery's 2009 Fliegende Holländer with a similar top level pairing of Nelsons / Terfel. After some less than iconic first nights in the house, it was not just a delight but a relief to be able to say with confidence, twice within a couple of weeks, that this is what one of the world's great lyric theatres is all about. From the opening...