Columns linked to Royal Opera House Covent Garden

Excellent Revival of Jonathan Kent’s Tosca at the Royal Opera ...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900 is one opera that few directors choose to set in anything other than its original time and place. There are exceptions to this rule, but when all of the action can be linked to a real historical event on a precise date, there are certainly advantages to retaining the intended setting, and many risks associated with changing it. The entire story takes place during the afternoon,...


First Class Revival of Phyllida Lloyd’s Macbeth at the Royal O...

Sam Smith

The 33-year old Verdi was taking a risk when he wrote Macbeth for the Teatro della Pergola in Florence in 1847. His operas until then had largely been grounded in fact or history, and indulging in the genere fantastico (‘fantastical genre’) had its dangers when at the time it was far from universally loved. In the event, however, the premieres were so warmly received that the Florentines soon awarded Verdi his own gold crown. Macbeth became the...


Lisette Oropesa Dazzles as Violetta in La traviata at the Roya...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today, and the Royal Opera’s current season is putting a special focus on the work. From October 2021 to April 2022 there will be no less than twenty-five performances featuring six different sopranos in the main role of Violetta. The initial run, which ends on 17 November 2021, will see Lisette Oropesa, Kristina Mkhitaryan and Anush Hovhannisyan play the lead, while Angel Blue,...


An Eighteen Month Delay but Worth the Wait for Jenůfa at the R...

Sam Smith

Jenůfa, which premiered in Brno in 1904, is an opera in three acts by Leoš Janáček to a Czech libretto by the composer. It is based on the play Její pastorkyňa by Gabriela Preissová, and is one of the very first operas to be written in prose. Set in a Moravian village in the nineteenth century, the plot concerns a series of tangled relationships that derive from the fact that two fathers both married twice, and had a child by three of their four...


Tenth Revival of David McVicar’s The Magic Flute at the Royal ...

Sam Smith

Sir David McVicar’s 2001 production of Rigoletto for the Royal Opera may just have been displaced by a new version by Oliver Mears, but his The Magic Flute of 2003 is still going strong. Mozart’s final opera, which premiered on 30 September 1791 just a few months before the composer’s death, takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity...


First New Production of Rigoletto in Twenty Years at the Royal...

Sam Smith

Based on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in...