Columns linked to Royal Ballet and Opera

First Revival of Oliver Leith’s Last Days at the Royal Ballet ...

Sam Smith

Last Days, by composer Oliver Leith and librettist Matt Copson, is based on Gus Van Sant’s eponymous film of 2005. In 1994 Kurt Cobain, the lead singer of rock band Nirvana, took his own life. Van Sant’s film is not strictly the story of Cobain’s demise, but, by focusing on a fictitious musician named Blake, it tries to imagine what he might have gone through in his final three days, which still remain something of a mystery. Van Sant initially thought that the film might...


Katie Mitchell’s New Production of The Makropulos Case at the ...

Sam Smith

Composed between 1923 and 1925, The Makropulos Case, with music and libretto by Leoš Janáček, is based on Karel Čapek’s eponymous play. Originally set in Prague in 1922, it concerns a hundred year old probate case entitled Gregor v. Prus. When Baron Joseph Ferdinand Prus died in 1827 his cousin claimed the estate, but so too did one Ferdinand Gregor, who asserted that the Baron had promised it to him. While the people originally involved are long dead, their...


David McVicar’s Classic Production of The Magic Flute at the R...

Sam Smith

Wolfgang Amadeus Mozart’s final opera The Magic Flute, which premiered on 30 September 1791 just a few months before his death, takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro, who she claims is evil. As Tamino goes about his quest, however, and falls in love with Pamina, he learns that things are the other way around. The Queen...


First Rate Music Making in Handel’s Giustino at the Royal Ball...

Sam Smith

George Frideric Handel’s Giustino, HWV 37 has an Italian language libretto, the origins of which lie in one created by Nicolò Beregan in 1682. That was first set to music by Giovanni Legrenzi the following year, and was subsequently used by Tomaso Albinoni in 1711 (though his opera is now lost) and Antonio Vivaldi in 1724. The version that Handel used had been adapted from Beregan by Holy Roman Emperor Charles VI’s court poet Pietro Pariati in 1711.  The opera...


First Rate Cast and Grand Production in The Sicilian Vespers a...

Sam Smith

Giuseppe Verdi’s The Sicilian Vespers of 1855, set to a French libretto by Eugène Scribe and Charles Duveyrier from their 1838 work Le duc d’Albe, tells of the French occupation of Sicily in the thirteenth century. Prior to the opera’s opening the Sicilian patriot Jean Procida was exiled and the French conqueror Guy de Montfort, who became the island’s governor, violated a Sicilian woman who subsequently had a son called Henri. At times the Sicilians are...


Star Performances in Oliver Mears’ New Production of Tosca at ...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...