Columns linked to Royal Ballet and Opera

Lisette Oropesa Dazzles in I puritani at the Royal Ballet and ...

Sam Smith

I puritani, with a libretto by Count Carlo Pepoli, was Vincenzo Bellini’s final opera, as he died just eight months after its premiere in January 1835. Based on Têtes Rondes et Cavaliers, an historical play by Jacques-François Ancelot and Joseph Xavier Saintine, it is set during the English Civil War, although the specific episode described is fictitious. In fact, the narrative was always intended to be a commentary on the political climate of 1830s Paris following the...


SeokJong Baek and Aigul Akhmetshina Shine in Samson et Dalila ...

Sam Smith

Camille Saint-Saëns’ Samson et Dalila, which premiered in Weimar in 1877, is the only one of the composer’s operas to be regularly performed today. In describing how the Israelite Samson is duped by the Philistine Dalila into divulging the secret to his strength, thus enabling him to be weakened and blinded, the story comes from Chapter 16 of the Book of Judges. However, it concentrates on certain elements and downplays others, ignoring the heroic deeds that earned...


Superb First Revival of Deborah Warner’s Peter Grimes at the R...

Sam Smith

Premiering in 1945, with a libretto adapted by Montagu Slater from a section of George Crabbe’s 1810 narrative poem The Borough, Peter Grimes focuses on the type of outsider figure that always fascinated Benjamin Britten. Originally set in a nineteenth century Suffolk coastal village, it focuses on the clash between Grimes, a hard working fisherman who dreams of wealth and respect, and a narrow-minded and repressive community who will never judge him kindly, irrespective of what...


A Dark and Unrelenting New Production of The Turn of the Screw...

Sam Smith

The Turn of the Screw is a 1954 chamber opera by Benjamin Britten, with Myfanwy Piper’s libretto being based on Henry James’s eponymous novella of 1898. Told across a Prologue and sixteen scenes, with each of these being preceded by a variation on the twelve-note ‘Screw’ theme, it has been described as one of the most dramatically appealing of all English operas. Set in an English country house in Bly, originally in the middle of the nineteenth century, it tells...


Fantastic Cast in Boris Godunov at the Royal Ballet and Opera,...

Sam Smith

Boris Godunov is Modest Mussorgsky’s only completed opera, and widely considered to be his masterpiece. Its subjects are the eponymous Russian ruler, who reigned as Tsar from 1598 to 1605, and the False Dmitry I, who succeeded him almost immediately but was killed a year later. The Russian language libretto was written by the composer, and is based on Pushkin’s blank verse drama Boris Godunov as well as Nikolay Karamzin’s History of the Russian...


Ermonela Jaho is a Highly Sensitive Violetta in La traviata at...

Sam Smith

Giuseppe Verdi’s La traviata of 1853, with a libretto by Francesco Maria Piave, is one of the most frequently performed operas in the world today. Based on Alexandre Dumas fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live...