Articles linked to Sonya Yoncheva

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The Paris Opera presents its 2018-2019 anniversary season, at the meeting point between tradition and modernity

As a national opera, the Paris Opera has historically taken on the role of preserving France's operatic heritage and bringing French opera to life. For all that, opera is obviously a distinctly living art form and since the beginning of his mandate at the head of the Parisian establishment, Stéphane Lissner has also been committed to contributing to updating the repertoire and has been working to diversify the cultural range of France's famous Opera. This is the reason for...


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Director’s vision with Stéphane Lissner : Bringing great voices to the stage

For Stéphane Lissner, director of the Opéra National de Paris, the secret to programming a successful season could be summed up in three words: diversity, quality and relevance. That approach means matching the great voices of our time — singers like Jonas Kaufmann and Bryn Terfel, Anja Harteros and Anna Netrebko, and theater directors like Claus Guth and Anne Teresa De Keersmaeker — with the composers of the past, some celebrated and others less acknowledged,...


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Metropolitan Opera : The 2016/17 season

Although the Metropolitan Opera clearly remains a prestigious opera house with one of the great lyric stages, it is well known that the New York institution has in recent years had to make do with a very limited budget – marked by a 22 million dollar deficit in 2014 and just barely in the black by a million dollars for 2015 thanks to the sale of some of its assets, and particularly through drastic cost-cutting measures that are ongoing. For the first time since its 2009-2010 season,...


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Paris Opera, Lissner Season 2: the 2016/2017 Season

At the Opéra de Paris, Stéphane Lissner, like any new director making his ambitions known, was met by sceptics and naysayers lying in wait for him, along with all those who wished him less than well: the success of his first performances quickly swept away all the reservations and banana peels strewn in his path. His success was obvious, hailed by national and international critics and corroborated by the enthusiasm of the audiences filling the halls.This success is of course...


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Anna Netrebko renounces her debut in Faust at Covent Garden

That's on Facebook that Anna Netrebko just announced her withdrawal from Covent's Garden production of  Faust : « I am so sorry to have to withdraw from the role of Marguerite in Faust. After much consideration and intensive preparation, I have come to the conclusion that the role is not right for me. I had been very much looking forward to debuting this role at the Royal Opera House and following it with further performances in Vienna and Baden-Baden....