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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .210

La Traviata at the Royal Opera House, Covent Garden

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...


Il trittico at the Royal Opera House, Covent Garden

Sam Smith

Giacomo Puccini’s Il trittico, which premiered in 1918, is a triptych of one-act operas that were always designed to be performed together. The composer originally intended for each opera to reflect one part of Dante’s Divina Commedia, although in the event only the final work is based on the poem. As a result, the only theme that really underpins the operas is that they all involve, in one way or another, the concealment of a death. The Royal Opera’s current...


Tosca at the Royal Opera House, Covent Garden

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900 not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially triumphant and sent news of victory back to Rome, but the...


Cavalleria rusticana and Pagliacci at the Royal Opera House, C...

Sam Smith

Although Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci are entirely separate operas, they are so frequently performed together that ‘Cav and Pag’ is now a standard phrase in the operatic world. Written only two years apart, in 1890 and 1892 respectively, their short running times mean they can comfortably fit into one evening, while both tell stories of love, betrayal, jealousy and murder. Many directors ensure that the same...


Carmen at the Royal Opera House, Covent Garden

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy girl and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has decided to...


Orphée et Eurydice at the Royal Opera House, Covent Garden

Sam Smith

Based on the myth of Orpheus, Christoph Willibald Gluck’s Orphée et Eurydice is a seminal work in the evolution of opera. With its focus on an underground rescue mission in which the hero must conceal his true feelings, it was to be a major influence on German opera and specifically the plots of Mozart’s Die Zauberflöte, Beethoven’s Fidelio and Wagner’s Das Rheingold. It was also highly innovative musically with its preceding of the three verses of the...