Lohengrin of 1850 is the sixth of Richard Wagner’s thirteen operas, and the third he wrote (after Der fliegende Holländer and Tannhäuser) to be regularly performed still. It stands very much at a crossroads in that it harks back to classical opera in some respects, but in others looks forward to the composer’s later music dramas by including leitmotives and being essentially through-composed (although a few distinct arias are to be found within it). It is also the...

The dominating image in Andreas Dresen’s staging of Arabella for the Bayerische Staatsoper is stairs. Giant staircases grace the stage in all three acts, and important events usually involve dramatic ascensions or descensions. This suits the plot, where both relationships and fortunes suffer ups and downs. The Waldner family is looking to refill their empty coffers through a wealthy match for their beautiful daughter Arabella. She has no shortage of suitors, but she...

It is most probably Wagner's best selling opera, known for its romantic and musically most melodious arios, and naturally for the " Ride of the Walkyries ". This piece has made it to hit charts and has been used countlessly for dramatic film scenes. But this opera has much more to offer and is full of exciting duetts of most loving and caring characters: Wotan sacrificing his beloved son Siegmund and his warfare compagnion and daughter, more of a mental copy of himself,...

The new production of Richard Wagner's epic story the Ring was a highly expected opera event in 2012 in Munich, and Andreas Kriegenburg's very lively and colourful creation gathered various reactions, but over all high recognition by the audience. It is his very intimate, human and sensible play between the characters, full of gestures, together with a big crowd of background actors for a kind of human-made scenery, which made this production so special. This year, the rivival of...

Everything is dark, light is dimmed, the Wanderer creeps around checking Notung in the trunk, Siegmund settles down exhausted and Sieglinde roams lost around. Suddenly a metal noise disrupts the mystical music of the prelude, Notung fell off the trunk and lies well placed on stage,  just in front of the shocked eyes of the audience. But this misfortune does not really harm the intense evening to come. Christopher Ventris conquers with his powerful warm tenor the love of his...

Eighteen years ago, the first complete direction of Richard Wagner's Ring des Nibelungen in the Netherlands took place. It was then a highly regarded and rewarded project by the Libanese director Pierre Audi - and his stage designer George Tsypin - for the Netherlands Opera House (Nederlanse Opera) in Amsterdam. The direction relies on the concept of bringing the story close to the audience. It is the last time that the cycle is performed, and more than 165 000 people have seen...