Charles-François Gounod’s Faust, with a libretto by Jules Barbier and Michel Carré, premiered at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859. It underwent several revisions over the following decade, including the insertion of a ballet into Act V to meet the expectations of grand opera, and was extremely popular in the nineteenth century. It was the work with which New York’s Metropolitan Opera opened for the first time on...

Although Georg Philipp Telemann is acclaimed as one of the greatest Baroque composers, and one of the most prolific ever in terms of volume of output, his operas have been somewhat neglected. This performance of Pimpinone, or, to give it its full title, Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden (The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid), represents the first time that Covent Garden...

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875, with a libretto by Ludovic Halévy and Henri Meilhac, is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal,...

Turandot, with a libretto by Giuseppe Adami and Renato Simoni, is Giacomo Puccini’s final opera. It was left unfinished at the time of his death in 1924, and posthumously completed by Franco Alfano before premiering at Milan’s Teatro alla Scala in 1926. There have subsequently been other completions of the score, most notably by Luciano Berio in 2001, but the Alfano version remains the most frequently performed, and is the one used in this instance.  Set in Peking in...

Giuseppe Verdi’s Il trovatore of 1853, with a libretto by Salvadore Cammarano and Leone Emanuele Bardare, is based on Antonio García Gutiérrez’s Spanish play El trovador of 1836. Set in fifteenth century Spain it tells of the noble lady Leonora who is in love with the troubadour Manrico, but is herself loved by the Count di Luna, a nobleman in the service of the Prince of Aragon. The Count’s younger brother Garzia supposedly died in infancy when a...

Thomas Vinterberg’s 1998 film Festen (The Celebration) is a black comedy in which the emphasis should arguably be on the word ‘black’ rather than ‘comedy’. Now, Mark-Anthony Turnage has adapted it into an opera, varying the original story in places. Set in 1989 in a hotel in the Danish countryside, run by Helge and Else Klingefeldt, it sees a gathering to celebrate Helge’s sixtieth birthday. Many friends and family members are in attendance...