Camille Saint-Saëns’ Samson et Dalila, which premiered in Weimar in 1877, is the only one of the composer’s operas to be regularly performed today. In describing how the Israelite Samson is duped by the Philistine Dalila into divulging the secret of his strength, thus enabling him to be weakened and blinded, the story comes from Chapter 16 of the Book of Judges. However, it concentrates on certain elements and downplays others, ignoring the heroic deeds that earned...

Damiano Michieletto’s take on Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci, which represents a co-production between Opera Australia, La Monnaie in Brussels, The Göteborg Operaand the Royal Opera House, was well received when it first appeared at the latter venue two years ago. With this first revival from Rodula Gaitanou proving just as strong, and hence confirming that its initial success was no fluke, it is reasonable to acclaim the...

On May 7th, the Metropolitan Opera threw a special gala to celebrate 50 years at the “new Met” in Lincoln Center. The design of the new Met has been debated and criticized since its construction, but one thing is certain: it has been an artistic home to many of the world’s greatest singers. They were there in full force and full voice on Sunday for this nostalgic celebration. Angela Meade, Michael Fabiano, Günther Groissböck sing “Qual...

Der Rosenkavalier is an opera about the passing of time and the need to let go. It’s a particularly appropriate, then, that the current Metropolitan Opera production marks goodbyes for two singers. Superstar soprano Renée Fleming is leaving the opera stage (though she will continue to perform in concerts and on Broadway), while mezzo-soprano Elina Garança has announced her intention to give up trouser roles (including, of course, Octavian). Elina will be very much...

Wide open space on stage as the opera starts. Once more young German director Amélie Niermayer uses the overture for narrating already parts of the story. The new production of the Bavarian State Opera is her first appearance here. The first encounter of Leonor, the mistress of King Alphonse, and monk Fernand is love at first sight with immediate intimate embracing. Stage designer Alexander Müller Elmau created a dark neutral environment with some moveable metal blocks which...

“Roberto Alagna and Jonas Kaufmann take turns playing Carmen’s desperate lover, Don José” may be a quote from the online brochure of the Opera House you started in one of your opera fanatic dreams. In real life, it is a quote from the Metropolitan Opera’s website. Jonas Kaufmann will be singing for the last two shows of the run early March while Roberto Alagna has covered the whole month of February. Any good vocal coach will tell you that French is the...