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Puccini's Il Trittico : The Rule of Three

With Il Trittico, Puccini wanted to renew the lyrical style imaginating three distinct short operas, set over three different eras and places, each one illustrating its own thematic, but always to be played together because in the mind of the composer, « Il Trittico constituted a whole inseparable work », binded by a « musical unity ». This whish will not always be respected, but it is at the Royal Opera House of London where the three works are...

Published onthe 23 of February
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Metropolitan Opera : The 2016/17 season

Although the Metropolitan Opera clearly remains a prestigious opera house with one of the great lyric stages, it is well known that the New York institution has in recent years had to make do with a very limited budget – marked by a 22 million dollar deficit in 2014 and just barely in the black by a million dollars for 2015 thanks to the sale of some of its assets, and particularly through drastic cost-cutting measures that are ongoing. For the first time since its 2009-2010 season,...

Published onthe 19 of February
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Paris Opera, Lissner Season 2: the 2016/2017 Season

At the Opéra de Paris, Stéphane Lissner, like any new director making his ambitions known, was met by sceptics and naysayers lying in wait for him, along with all those who wished him less than well: the success of his first performances quickly swept away all the reservations and banana peels strewn in his path. His success was obvious, hailed by national and international critics and corroborated by the enthusiasm of the audiences filling the halls.This success is of course...

Published onthe 10 of February
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Leaders’ vision: New digital platforms for the Vienna Philharmonic Orchestra

Just over a year into his new job, the Vienna Philharmonic Orchestra’s managing director, Harald Krumpöck, feels that he could not have chosen a better time to step up from the ranks of the orchestra’s players to take on the post. ‘‘From a cultural perspective, we are living in an incredibly interesting time,’’ Krumpöck says. ‘‘Change is too small a word. It’s a time of upheaval. An extraordinary number of things are...

Published onthe 29 of December
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Why Cecilia Bartoli Chose West Side Story for Salzburg

Cecilia Bartoli became the artistic director for the Salzburg Pentecost Festival in 2012, and every year since then the Italian mezzo soprano has put together a programme that puts the spotlight on women, whether strong or sacrificial, harrowing or modest, each year presenting “a new facet of femininity” – whether in the role of Cleopatra in Handel’s Julius Caesar, Norma in Bellini, Angelina Rossini’s La Cenerentola or more recently Iphigenia in Gluck’s...

Published onthe 26 of December
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La Damnation de Faust : genesis of a production with Stéphane Lissner

Early this December, the Opéra de Paris will present La Damnation de Faust, by Hector Berlioz, featuring Sophie Koch (in the role of Marguerite), Jonas Kaufmann (playing Faust) and Bryn Terfel (as Mephistopheles), in a new production designed by Alvis Hermanis. A much-anticipated production because of its prestigious casting, of course, but also because it is intended to be emblematic of the work of the newly appointed Stéphane Lissner, officially at the head of the Paris...

Published onthe 07 of December