Columns linked to Nicola Luisotti

Strong Voices and Characterisations in Madama Butterfly at the...

Sam Smith

Set in Nagasaki, Puccini’s Madama Butterfly of 1904-07, with a libretto by Giuseppe Giacoso and Luigi Illica, explores the relationship between the American naval officer Pinkerton and Cio-Cio-San from the city’s Omara district. Cio-Cio-San, who Pinkerton knows as Madam Butterfly, takes their love so seriously that she converts to Christianity, and is consequently ostracised by her family. He, on the other hand, sees their marriage as being akin to his Japanese house,...


First Revival of Richard Jones’ La bohème at the Royal Opera H...

Sam Smith

Giacomo Puccini’s 1896 creation La bohème is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì, on the other hand, enjoy an apparently perfect love, but it...


La Traviata at the Royal Opera House, Covent Garden

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...


Il trittico at the Royal Opera House, Covent Garden

Sam Smith

Giacomo Puccini’s Il trittico, which premiered in 1918, is a triptych of one-act operas that were always designed to be performed together. The composer originally intended for each opera to reflect one part of Dante’s Divina Commedia, although in the event only the final work is based on the poem. As a result, the only theme that really underpins the operas is that they all involve, in one way or another, the concealment of a death. The Royal Opera’s current...