Columns linked to Günther Groissböck

First Class Revival of Phyllida Lloyd’s Macbeth at the Royal O...

Sam Smith

The 33-year old Verdi was taking a risk when he wrote Macbeth for the Teatro della Pergola in Florence in 1847. His operas until then had largely been grounded in fact or history, and indulging in the genere fantastico (‘fantastical genre’) had its dangers when at the time it was far from universally loved. In the event, however, the premieres were so warmly received that the Florentines soon awarded Verdi his own gold crown. Macbeth became the...


Farewells with Der Rosenkavalier

Ilana Walder-Biesanz

Der Rosenkavalier is an opera about the passing of time and the need to let go. It’s a particularly appropriate, then, that the current Metropolitan Opera production marks goodbyes for two singers. Superstar soprano Renée Fleming is leaving the opera stage (though she will continue to perform in concerts and on Broadway), while mezzo-soprano Elina Garança has announced her intention to give up trouser roles (including, of course, Octavian). Elina will be very much...


Stefan Vinke and Petra Lang in Lohengrin at the Wiener Staatsoper

Helmut Pitsch

'There is happiness' and two burning hearts in a soft landscape as a big painting decorates the transparent curtain, as part of this new interpretation of the opera by young Richard Wagner. This reference to the libretto by the master is designed by Director Andreas Homoki who sets the legend of this divine hero and his swan in a very traditional Bavarian environment. The Munich Hofbräuhaus seems to be the model of the stage design and so does the traditional Bavarian costums...


Der Rosenkavalier at La Scala

Raffaele Mellace

Quite remarkably, as demanding as this opera is, and outside a German-speaking country, Der Rosenkavalier has recently become fixture of La Scala seasons, now appearing in its third production within the last 13 years. This time, the deep and yet lighthearted, bittersweet comedy turned out again a favorite of the Milanese audience, which had been graced with a very early staging back in March 1911, barely six weeks after the Dresden world premiere. Harry Kupfer, former director of the...


Das Rheingold at the Bayerische Staatsoper Munich

Helmut Pitsch

The new production of Richard Wagner's epic story the Ring was a highly expected opera event in 2012 in Munich, and Andreas Kriegenburg's very lively and colourful creation gathered various reactions, but over all high recognition by the audience. It is his very intimate, human and sensible play between the characters, full of gestures, together with a big crowd of background actors for a kind of human-made scenery, which made this production so special. This year, the rivival of...