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Verona Arena 2021: Sonya Yoncheva will sing Aida for the first time
Although there are still doubts about the exact course of the 2020 edition of the Verona Arena Festival (which could be based on small-scale productions for a reduced audience), the 2021 edition of the lyrical event is already the subject of special attention. In 2021, the 150th anniversary of the creation of Aida (first performed in 1871) will be commemorated, and the work obviously occupies a very special place in the Veronese programme -- the first edition of the festival in 1913 opened...
A Rigoletto in the open air from July onwards to relaunch the Rome Opera House
Italy was particularly hard hit by the Covid-19 pandemic, but after several weeks of lockdown, local authorities are now considering a resumption of business, including cultural activities, and the Rome Opera House could be the first opera house to raise the curtain again. While there is no question of hosting the public in the auditorium (gatherings of more than 200 people in enclosed spaces are still forbidden in Italy and could remain so until the autumn), according to Corriere della...
A "rejuvenated" 2020-2021 season at the Vienna State Opera
After ten years at the head of the Wiener Staatsoper, Dominique Meyer has this year taken over the direction of La Scala in Milan. He leaves his position to Bogdan Roscic, 52, whose name we recognise for having been the president of the Sony Classical label, specifically recruited by the Austrian government to "breathe new life into the Viennese institution". The new musical director will be Philippe Jordan, who arrives after years in the service of the Paris Opera, and who will...
Fidelio, a Unique Opera
In 2020, Beethoven's 250th birthday is commemorated and many opera houses take the opportunity to perform his unique opera, Fidelio. Although it was painstakingly composed, the work is today one of the references in the repertoire and shows an incredible modernity – musically, by laying the foundations for Romanticism, but also for its already "feminist" libretto. Starting on 1 March, the Royal Opera House - Covent Garden in London performs a highly anticipated new...
Simon Stone, ruthless explorer of works
In a few days, the premiere of Erich Wolfgang Korngold’s opera, The Dead City, will play in Munich’s Bavarian State Opera. Jonas Kaufmann will be appearing alongside soprano Marlis Petersen in a production by Simon Stone, created in 2015 at the Theater Basel. Let us take a look back at the career of the thirty-year-old director who has been fought over by musical and dramatic institutions alike for some years now. *** Les Trois Soeurs à l'Odéon, par...
A conversation with Rani Calderon about his first composition: opera as a cathedral
Rani Calderon is known to us from his work as music director of the Opéra national de Lorraine as well as for his interpretations as a conductor, which we have often reviewed and praised. Few know however that today he is dedicating his time to a new activity: composition. While the prelude of his opera, based on Victor Hugo’s novel “Notre Dame de Paris” (“The Hunchback of Notre Dame”), which he builds in the manner of the gothic cathedrals, was...