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Bastille Day “Concert de Paris 2024”: artists, programme and broadcasts
Before the traditional Bastille Day fireworks on 14 July, the Concert de Paris has become a must for music lovers. This year, Nadine Sierra, Fatma Saïd, Adèle Charvet and Pene Pati will perform “great classical works on the theme of Olympism” in the square in front of the Paris City Hall. The Concert de Paris has become an eagerly awaited event for music lovers, bringing together instrumentalists and opera singers every year on Bastille Day, 14 July, for an...

Interview with Corinne Winters, double Iphigénie at the Festival d’Aix-en-Provence
Soprano Corinne Winters' career sounds like a series of challenges, the latest of which is a Gluck double bill at the Aix-en-Provence Festival in 2024, where she will sing the title role in both Iphigénie en Aulide and Iphigénie en Tauride on the same night with maestra Emmanuelle Haïm and director Dmitri Tcherniakov. After a glorious debut as Katja Kabanova at the Salzburg Festival in 2022, she took over the Janáček character in Geneva,...

Turandot with Anna Netrebko to be broadcast from La Scala in Milan
From 25 June, Milan's La Scala will be staging a new production of Turandot by director Davide Livermore, starring Anna Netrebko in the role of the Ice Princess. The production, which will be broadcast live on 4 July on ScalaTV and Arte Concert, is generating a certain amount of curiosity. As part of the commemoration of the centenary of Puccini's death, La Scala has programmed two new productions of the composer's operas this season. The first was La Rondine, performed...

Death of Jodie Devos, aged 35
The young Belgian soprano Jodie Devos died of cancer on Sunday at the age of 35. Her death comes after a sunny young career that left a lasting impression on all those who saw her perform. Astonishment and deep sadness. These are the words that come to mind when reading the news from Intermezzo, the agency of Belgian soprano Jodie Devos, “who died in Paris on 16th June, surrounded by her family and close friends, at the age of 35, from breast cancer, which had forced her to...

Missy Mazzoli's The Listeners opens Opera Philadelphia's 2024-25 season
For its 2024-25 season, Opera Philadelphia welcomes the American premiere of Missy Mazzoli's opera The Listeners (following its premiere at Oslo Opera in 2022), as well as Chevalier de Saint-Georges Joseph Bologne's rare comic opera L'Amant Anonyme. Philadelphia may not be the most vibrant of American cities when it comes to opera, but its Academy of Music (home of the Opera Company of Philadelphia) boasts the oldest opera house within the United States to be continuously...

Ludovic Tézier is awarded the Prize Piero Cappuccilli
Following the performance of La Traviata at the Arena di Verona on 26 August, Ludovic Tézier was awarded the Premio internazionale Piero Cappuccilli (the Prize Piero Cappuccilli), named after the Italian baritone Piero Cappuccilli, an incomparable artist in the Verdian repertoire who sadly died in July 2005. The award was presented to the French baritone by the singer's daughter, Patrizia, to the applause of all the performers in the production. Writing on his Instagram...

Renée Fleming: “I'm happy to see people embracing new music and new works that are relevant”
In 2017, the Marschallin in Richard Strauss' Der Rosenkavalier at the Metropolitan Opera was supposed to be Renée Fleming's last opera role, after a career of countless unforgettable performances. In addition to numerous recordings and concerts - including the art song programme with pianist Evgeny Kissin this summer at the Verbier Festival and the Salzburg Summer Festival -, the soprano diva has not only appeared in musicals (The Light in the Piazza, Carousel), but...

Camilla Nylund: “Every opera role is like a journey”
An accomplished Strauss performer, especially in the role of Salome, Finnish soprano Camilla Nylund started to extend her Wagner repertoire with Isolde in June 2022 and Brünnhilde this season in Die Walküre and Siegfried at the Operhnaus Zürich. While at the Verbier Festival to sing Marie in a concert version of Berg’s Wozzeck, and before the last instalment of the Ring cycle in Zurich in November, we met with her to find out more about her career...

Benjamin Bernheim and Julie Fuchs as Romeo and Juliet in Zurich, broadcast on Arte TV
Everything comes to those who wait. This is perhaps what Benjamin Bernheim and Julie Fuchs said before taking on the two main roles in Charles Gounod's Roméo et Juliette - to the libretto by Jules Barbier and Michel Carré, who (faithfully) adapted Shakespeare's play. The soprano Julie Fuchs was due to perform her first Juliet in 2021 at the Opéra-Comique before having to abandon it due to contamination with Covid. Benjamin Bernheim should have taken on the...

Meeting with Catarina Molder, artistic director of Lisboa Operafest
In addition of her career of opera singer, Catarina Molder is now heading the major (and only) opera festival in Portugal, and we have met her at the occasion of the third edition of Lisboa Operafest which took place in the gardens of National Museum of Ancient Art in Lisbon from 19th of august to 10th of september. And as she has many other activities in the world of opera singing, she tells us about...

Bruno de Sá: “Opera business doesn’t reflect the discussions we’re having in our society”
Don’t call him countertenor! Bruno de Sá’s golden male soprano is becoming one of the most sought-after voices not only in the baroque milieu, but also anywhere soprano lines are required. We met him at the Verbier Festival, where he performed Pergolesi’s Stabat Mater with conductor Reinhard Goebel and mezzo-soprano Anna Lucia Richter. He spoke about the challenges of finding his own way through the opera milieu since he discovered his singular tessitura with...

Angela Meade: “Now I am able to take on some of the heavier Verdi roles”
Soprano Angela Meade is famous for her incredibly powerful interpretations of Italian opera throughout the world on the most prestigious stages. We met her at the Verbier Festival where she was singing Amelia in Verdi’s Un ballo in maschera… *** Opera Online: Psychologically, Amelia might be one of the most sincere characters in Un ballo in maschera. How do you portray that in your singing? Angela Meade: In terms of technique, it’s not just blasting stuff,...