Liceu opened its 175th season with Strauss’ Ariadne auf Naxos, an opera that has rarely been seen at the theatre and which had not been brought on stage for almost 20 years. Written for a moderately sized orchestra and with a transparent yet dense orchestration of refined sonorities, Ariadne is a difficult opera to resolve instrumentally. Maestro Josep Pons, the theatre’s principal director chose to face the challenge of conducting this Ariadne and the obtained results were...

Composer George Benjamin affirmed that the performances in Barcelona of Lessons in Love and Violence were a moving and “heroic” act. This was during the press conference for the presentation of the artists which he attended via video call. It was certainly the case. With half of Europe having their theatres closed, facing the Spanish première of such a difficult piece was quite a challenge, which Liceu undeniable overcame. It is worth remembering that Liceu had...

... With such assertiveness Don Giovanni addresses the final number of the first act. This certainly seems to be the spirit of the Don Giovanni currently being staged at Liceu. The world is crumbling around them, but Don Giovanni and Liceu are firmly staying put. To bring Don Giovanni to the stage “could almost be defined as an act of cultural resistance”, stated publically a few days ago Víctor García de Gomar, the artistic director of the theatre in Barcelona....

Turandot was the opera that would have been going on stage when the theatre was destroyed in a fire in January 1994. Embodying a spirit of continuity, Turandot was chosen to inaugurate the new theatre rebuilt in 1999. Now, on the 20th anniversary of Liceu’s re-inauguration, Puccini’s last opera was again the title selected to open the new season. Turandot, an opera which historically did not have any particularly significant relationship with the theatre has become, due to the...

With some notable exceptions, the most eminent of which is Beethoven’s Fidelio, the theme of maintaining marital loyalty, whilst morally so commendable, is theatrically utterly boring. Its opposite, instead, always affords interesting theatrical shambles which can range from the vaudeville to tragedy and everything in between. If Händel’s Rodelinda, a story about staunch marital loyalty, theatrically is not only tolerable but works rather well is because deep down it...

Finally, after many years, Liceu has hosted the world premiere of an opera, L’enigma di Lea by Benet Casablancas with text by Rafael Argullol. Casablancas, born in 1956, is one of the main current Catalan composers. Although his catalogue is long and varied this is his first opera. Rafael Argullol, born in 1949, is a poet, novelist, philosopher, essay writer and university professor in aesthetics and art theory. The piece, described by the librettist as a ‘mythical...