Columns linked to Bryn Terfel

Third Revival of Tim Albery’s The Flying Dutchman at the Royal...

Sam Smith

The Flying Dutchman, which premiered in Dresden in 1843, is the fourth of Richard Wagner’s thirteen operas, and considered to be his first mature one. This is because it is the first still to be regularly staged, with Wagner himself having ruled that the three that preceded it should never be performed at his Festspielhaus in Bayreuth. The composer had been inspired to write the opera following a stormy sea crossing he made from Riga to London in 1839, and the story is taken from...


Lise Davidsen makes her role debut as “Tosca” at the Bergen In...

Helmut Pitsch

Lise Davidsen makes her role debut as “Tosca” at the Bergen International Festival Ever since Lise Davidsen hit upon the world of opera in 2015, when she won not one but three major competitions - Operalia, Hans Gabor Belvedere and in her home country, the Queen Sonja Competition – she has been a singer to watch. With her youthful dramatic full-bodied soprano, she has since enchanted audiences on the world's great stages in roles such as Sieglinde in...


Deborah Warner’s New Peter Grimes Has it All at the Royal Oper...

Sam Smith

Premiering in 1945, with a libretto adapted by Montagu Slater from George Crabbe’s eponymous narrative poem, Peter Grimes focuses on the type of outsider figure that always fascinated Benjamin Britten. Set in a nineteenth century Suffolk coastal village referred to simply as ‘the borough’, it focuses on the clash between Grimes, a hard working fisherman who dreams of wealth and respect, and a narrow-minded and repressive community who will never judge him kindly,...


A Highly Enjoyable New Don Pasquale at the Royal Opera House, ...

Sam Smith

Gaetano Donizetti’s 64th opera Don Pasquale of 1843 represents both the zenith and the end of opera buffa because it stands as one of the finest examples of the genre, and yet there are practically none written after that date that are still in the standard repertoire. Set in Rome, it sees the ageing Don Pasquale disinherit his nephew Ernesto, who loves the young but poor widow Norina, for refusing the woman he had found for him. Even Don Pasquale’s own doctor Malatesta thinks...


Strong First Revival of Richard Jones’s Boris Godunov at the R...

Sam Smith

Boris Godunov is Modest Mussorgsky’s only completed opera, and is considered to be his masterpiece. Its subjects are the eponymous Russian ruler, who reigned as Tsar from 1598 to 1605, and the False Dmitry I, who succeeded him almost immediately but was killed only a year later. The Russian-language libretto was written by the composer, and is based on Pushkin’s blank verse drama Boris Godunov as well as Nikolay Karamzin’s History of the Russian...


Strong Revival of Jonathan Kent’s Tosca at the Royal Opera Hou...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900 not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially triumphant and sent news of victory back to Rome, but the...