Amongst the performers that took part at the Götterdämmerung premiere at the Liceu the great highlight was the immense, anthological and unforgettable Brünnhilde by Iréne Theorin. Voice, power, dramatic engagement and understanding of the character put the Swedish soprano in a place to be considered one of the best Brünnhilde in the world, if not the best. Her final scene will remain in the memory of all for many years to come. The other...

Bad singing and worse staging. Otello, Verdi’s masterpiece with a libretto by Arrigo Boito – another masterpiece – and based on Shakespeare’s masterpiece, sank clumsily in its return to Liceu’s stage, after 10 years of absence. It isn’t easy to ruin three masterpieces, but in this occasion it was achieved.   Locating the opera in a refugee camp, besides resulting awkwardly fashionable, alters seriously the relationship and the balance...

The main attraction of this Lucia di Lammermoor presented at Liceu, with 14 performances lasting until after Christmas, was the world’s debut of Juan Diego Flórez as Edgardo, one of the greatest bel canto roles, which the celebrated Peruvian tenor had not yet tackled. Nowadays, this opera is considered a “soprano opera”, but it has not always been this way. Since its premiere in 1835, with the great Gilbert Duprez in the main male character, and until the...

Three artists who integrated the “excess” in their art or in their lives, together with the renaissance goldsmith and sculptor Benvenuto Cellini, providing the character and the subject, the composer Hector Berlioz bringing the music, and Terry Gilliam, film and stage director, on the staging are the parents of the spectacular and captivating production that is taking place at Liceu and which most probably will be the big event of the season. The vigorous start with a...

Mozart described his Così fan tutte as a dramma giocoso. The Venetian stage director, Damiano Michieletto, who debuted at Liceu with this production created for La Fenice in 2013, is interested a lot more in the dramatic or even tragic side of it, than in the giocoso element. It starts with a distorted take on Don Alfonso’s character, who turns from a “vecchio filosofo” to a cynical, embittered alcoholic who manipulates and mistreats the characters. From...