Columns linked to Bayerische Staatsoper - Nationaltheater

Aida in Munich with Jonas Kaufmann

Helmut Pitsch

Munich and Jonas Kaufmann have been closely linked over the last years. He has been born here and the Munich State Opera is engaging him intensively. Many role debuts of the star tenor have taken place here. That is the case for the current production of Giuseppe Verdi's Aida too. After a first appearence in Rome in concert after a recording of the opera, it is now his first Radames on stage in a production from 2009, directed by Christoph Nel and designed by Jens Killian. They have...


Arabella at the Munich summer Festival

Ilana Walder-Biesanz

The dominating image in Andreas Dresen’s staging of Arabella for the Bayerische Staatsoper is stairs. Giant staircases grace the stage in all three acts, and important events usually involve dramatic ascensions or descensions. This suits the plot, where both relationships and fortunes suffer ups and downs. The Waldner family is looking to refill their empty coffers through a wealthy match for their beautiful daughter Arabella. She has no shortage of suitors, but she...


Pelléas and Mélisande in Pieces at the Munich summer Festival

Ilana Walder-Biesanz

Claude Debussy’s Pelléas et Mélisande is an opera of disconnections. Mélisande’s first words are, ‘Ne me touchez pas!’ -- ‘Do not touch me!’ And, indeed, she (and everyone else) remains isolated. Not only physical contact, but emotional and intellectual contact seem impossible throughout the opera. Characters fail to understand their own emotions and fail to communicate what little they do understand. They constantly...


An exciting, dramatic Lulu in Munich

Ilana Walder-Biesanz

The Bayerische Staatsoper’s new production of Lulu has one focus: the drama. Kirill Petrenko leads the Staatsorchester at a brisk pace that keeps the plot moving. Dmitri Tcherniakov’s stark staging keeps the action on the front of the stage. A cast of committed and talented singing actors make the opera’s bizarre series of events a gripping story. The stage is a maze of glass. Reflections multiply the characters in all directions, and people watch each...


La Clemenza di Tito - Bayerische Staatsoper, München

Helmut Pitsch

Emperor Titus was quite an impressive historical figure. During the reign of his father Emperor Vespasian, he occupied several position in the Roman administration and army. He won the Jewish war, conquered and destroyed Jerusalem and the big Temple. With the proceeds of this crusade, he built the Coliseum in Rome and acquired a frightening reputation within roman society : people were insecured with the total change, once he followed his father as Emperor at the age of forty. He...


Siegfried Bayerische Staatsoper München

Helmut Pitsch

The new installation of the “Ring der Nibelungen” at the Bavarian State Opera is continuing with the performance of Siegfried. The artistic duo Andreas Kriegenburg and Kent Nagano are consequently realizing their concept of telling the story of the Gods and related human beings in a very simple and individual way.Andreas Kriegenburg director´s concept is concentrating on an empty stage using a lot of people to represent the necessary decoration or equipment. This is...