Columns linked to David McVicar

Tenth Revival of David McVicar’s The Magic Flute at the Royal ...

Sam Smith

Sir David McVicar’s 2001 production of Rigoletto for the Royal Opera may just have been displaced by a new version by Oliver Mears, but his The Magic Flute of 2003 is still going strong. Mozart’s final opera, which premiered on 30 September 1791 just a few months before the composer’s death, takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity...


Excellent Singing and Staging in Death in Venice at the Royal ...

Sam Smith

Death in Venice of 1973 is Benjamin Britten’s final opera. Based on Thomas Mann’s eponymous novella of 1912, it tells of a writer Gustav von Aschenbach who becomes obsessed to the point of madness with a youth who he repeatedly sees while in Venice. Given that the pair never speak to each other, it might not feel like obvious dramatic material but it has spawned a classic film (starring Dirk Bogarde) as well as Britten’s own masterpiece. It is possible to see the...


Excellent Revival of David McVicar’s Faust at the Royal Opera ...

Sam Smith

Charles-François Gounod’s Faust premiered at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859. It underwent several revisions over the following decade, including the insertion of a ballet into Act V to meet the expectations of grand opera, and was extremely popular in the nineteenth century. It was the work with which New York’s Metropolitan Opera opened for the first time on 22 October 1883, while Covent Garden included it in its...


Andrea Chénier at the Liceu: A perfect night

Xavier Pujol

Opera is the most complex and interdisciplinary form of artistic expression created by Western culture, all scenic and musical arts are represented. In this state of affairs, in the same way that it is very difficult to totally ruin an operatic performance it is even a greater challenge to achieve absolute perfection. Nevertheless, this is – or almost is – what happened in the premiere of Andrea Chénier at Liceu, one of the foundational titles of the verismo movement...


A Gory but Psychologically Intense Salome at the Royal Opera H...

Sam Smith

Despite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...


Die Meistersinger von Nürnberg at the Glyndebourne Festival

Helmut Pitsch

Over 80 years of existence, a wonderful setting in the hills of South England and high quality performances have made Glyndebourne a high reputable festival. Everybody who has ever been there will never forget the remote familiar atmosphere with sheep on the fields nearby the picnic on the impeccable lawns, and this relaxed relation of nature and art. A perfect location and attitude for experiencing an opera, especially the monumental piece of Meistersinger by Richard Wagner. It...