Columns linked to Daniel Oren

Anna Netrebko and Yusif Eyvazov Reign Supreme in Turandot at t...

Sam Smith

Turandot, with a libretto by Giuseppe Adami and Renato Simoni, is Giacomo Puccini’s final opera. It was left unfinished at the time of his death in 1924, and posthumously completed by Franco Alfano before premiering at Milan’s Teatro alla Scala in 1926. There have subsequently been other completions of the score, most notably by Luciano Berio in 2001, but the Alfano version remains the most frequently performed, and is the one used in this instance.  Set in Peking in...


Tremendous Performances Create Magic in Aida at the Royal Ball...

Sam Smith

Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871, with a libretto by Antonio Ghislanzoni, centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasro is captured in battle, with the...


A Superb Cast Brings New Insights to Tosca at the Royal Opera ...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...


Second Revival of Daniele Abbado’s Nabucco at the Royal Opera ...

Sam Smith

Written in 1841, Nabucco is considered to be the opera that established Giuseppe Verdi’s reputation as a composer. The Italian libretto by Temistocle Solera is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Come, although Antonio Cortese’s 1836 ballet adaptation of the latter was a more important source for Solera than the play itself. The opera originally bore the title of Nabucodonosor,...


Slow Pace but Strong Performances in La traviata at the Royal ...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...


Magnificent Central Trio in Andrea Chénier at the Royal Opera...

Sam Smith

Andrea Chénier of 1896 is by far the best known opera by Umberto Giordano (1867-1948), an Italian composer whose profile might have been higher today had not his considerable talents been somewhat eclipsed by those of his contemporary Puccini. It is loosely based on the life of the eponymous poet (1762-1794), who was executed during the French Revolution, while the character Carlo Gérard was inspired by Jean-Lambert Tallien, a leading figure in the Revolution. Sondra...