Although Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci are entirely separate operas, they are so frequently performed together that ‘Cav and Pag’ is now a standard phrase in the operatic world. Written only two years apart, in 1890 and 1892 respectively, their short running times mean they can comfortably fit into one evening, while both tell stories of love, betrayal, jealousy and murder. Many directors ensure that the same...

Mozart described his Così fan tutte as a dramma giocoso. The Venetian stage director, Damiano Michieletto, who debuted at Liceu with this production created for La Fenice in 2013, is interested a lot more in the dramatic or even tragic side of it, than in the giocoso element. It starts with a distorted take on Don Alfonso’s character, who turns from a “vecchio filosofo” to a cynical, embittered alcoholic who manipulates and mistreats the characters. From...