Boris Godunov is Modest Mussorgsky’s only completed opera, and widely considered to be his masterpiece. Its subjects are the eponymous Russian ruler, who reigned as Tsar from 1598 to 1605, and the False Dmitry I, who succeeded him almost immediately but was killed a year later. The Russian language libretto was written by the composer, and is based on Pushkin’s blank verse drama Boris Godunov as well as Nikolay Karamzin’s History of the Russian...

Opening night of Salome proved to be the first night of the Royal Opera’s 2022/23 season, although this was not by design. Don Giovanni was to have opened it the preceding evening, but the sad news of the passing of Her Majesty Queen Elizabeth II saw the performance cancelled as a mark of respect. Twenty-four hours later Salome did go ahead, preceded by a tribute led by Director of Opera Oliver Mears, a minute’s silence and the playing of the National Anthem by the Orchestra of...

Although initially enjoying great success, Shostakovich’s Lady Macbeth of Mtsensk of 1934 has courted controversy almost from day one. Being condemned from various quarters for its lurid descriptive music in the sex scenes, its supposed justification of Stalin’s genocide (the main protagonist kills her kulak in-laws) and its ‘primitive satire’ in its treatment of the priest and police, it was attacked by both Stravinsky (who described it as ‘lamentably...