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Missy Mazzoli's The Listeners opens Opera Philadelphia's 2024-25 season
For its 2024-25 season, Opera Philadelphia welcomes the American premiere of Missy Mazzoli's opera The Listeners (following its premiere at Oslo Opera in 2022), as well as Chevalier de Saint-Georges Joseph Bologne's rare comic opera L'Amant Anonyme. Philadelphia may not be the most vibrant of American cities when it comes to opera, but its Academy of Music (home of the Opera Company of Philadelphia) boasts the oldest opera house within the United States to be continuously...
Published onthe 13 of February
Conversation with Giampaolo Bisanti, the new Opéra Royal de Wallonie-Liège Music Director
Italian conductor Giampaolo Bisanti rightfully defines himself as a “busy man”. His agenda will get even fuller with his new Music Director position at the Opéra Royal de Wallonie-Liège from next season, during which he will participate in two staged opera productions – Bellini’s La Sonnambula and Verdi’s Rare Alzira – and prestigious recitals with Plácido Domingo (accompanied for the occasion by Davinia Rodríguez)...
Published onthe 20 of June
Zurich Opera: Matthias Schulz appointed as new director
MATTHIAS SCHULZ APPOINTED AS NEW DIRECTOR SUCCESSOR TO ANDREAS HOMOKI AS OF 2025 HAS BEEN FOUND Matthias Schulz was introduced as new artistic director of the Opernhaus Zürich by the Chairman of the Board of Directors of the Opernhaus Zürich AG, Markus Notter, at a press conference earlier today. The 44-year-old is to succeed Andreas Homoki, who has been heading the house since 2012 and is stepping down from the post by his choice in 2025. Matthias Schulz, current...
Published onthe 07 of December
Interview with Antonio Pappano: “It is very important that the music sounds inevitable”
Who doesn’t know Antonio Pappano, current Music Director of the Royal Opera House in London and Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome? He was performing in July at the Verbier Festival as a conductor in two symphonic concerts with the Verbier Festival Chamber Orchestra, and as a pianist in a music chamber programme along with other stars. He explains how he sees music and conducting, and reveals the decisions that take place behind-the-scenes to build an...
Published onthe 19 of August
Leading Opera Houses Ensure the Tenor Viñas International Singing Contest
UNDETERRED BY THE PANDEMIC, THE WORLD’S LEADING OPERA HOUSES JOIN FORCES TO ENSURE THE TENOR VIÑAS INTERNATIONAL SINGING CONTEST CAN GO AHEAD The preliminary auditions were conducted on the basis of video recordings sent to opera houses in Barcelona, Beijing, Berlin, London, Los Angeles, Madrid, Milan, Moscow, New York and Paris. In the next stage, 125 of the 477 singers who entered the contest will go through to the second round in person, at the Gran Teatre del...
Published onthe 28 of December
The Salzburg Festival, one hundred years of artistic ideals
As a result of the health measures in place in Austria to combat the coronavirus pandemic, the 2020 Salzburg Festival is being "downsized and redesigned". In 2020, the Festival nevertheless celebrates its centenary with a programme that begins this year and continues next year. Through a series of articles that we are starting today, we look back on the major challenges of the Festival, whether ideological and political, artistic or musical - whether through the great performers...
Published onthe 17 of June
Verona Arena 2021: Sonya Yoncheva will sing Aida for the first time
Although there are still doubts about the exact course of the 2020 edition of the Verona Arena Festival (which could be based on small-scale productions for a reduced audience), the 2021 edition of the lyrical event is already the subject of special attention. In 2021, the 150th anniversary of the creation of Aida (first performed in 1871) will be commemorated, and the work obviously occupies a very special place in the Veronese programme -- the first edition of the festival in 1913 opened...
Published onthe 19 of May
A Rigoletto in the open air from July onwards to relaunch the Rome Opera House
Italy was particularly hard hit by the Covid-19 pandemic, but after several weeks of lockdown, local authorities are now considering a resumption of business, including cultural activities, and the Rome Opera House could be the first opera house to raise the curtain again. While there is no question of hosting the public in the auditorium (gatherings of more than 200 people in enclosed spaces are still forbidden in Italy and could remain so until the autumn), according to Corriere della...
Published onthe 12 of May
A "rejuvenated" 2020-2021 season at the Vienna State Opera
After ten years at the head of the Wiener Staatsoper, Dominique Meyer has this year taken over the direction of La Scala in Milan. He leaves his position to Bogdan Roscic, 52, whose name we recognise for having been the president of the Sony Classical label, specifically recruited by the Austrian government to "breathe new life into the Viennese institution". The new musical director will be Philippe Jordan, who arrives after years in the service of the Paris Opera, and who will...
Published onthe 29 of April
5 Questions to Jonas Söderman Bohlin
Jonas Söderman Bohlin composed the music and co-wrote the libretto of Tristessa, a brand new opera premiered at the Royal Swedish Opera in Stockholm last week. The work is based on The Passion of New Eve, a book written by Angela Carter in the late 70s. It tells the story of Evelyn, an aggressive man who will become a woman against his will through the action of a feminist cult. He worships Tristessa, a Golden Age movie star that will eventually share his destiny. We discussed...
Published onthe 11 of October
The Paris Opera presents its 2018-2019 anniversary season, at the meeting point between tradition and modernity
As a national opera, the Paris Opera has historically taken on the role of preserving France's operatic heritage and bringing French opera to life. For all that, opera is obviously a distinctly living art form and since the beginning of his mandate at the head of the Parisian establishment, Stéphane Lissner has also been committed to contributing to updating the repertoire and has been working to diversify the cultural range of France's famous Opera. This is the reason for...
Published onthe 30 of January
Preview: Royal Opera 2017/18 Season
Although Kasper Holten left the post of Artistic Director of the Royal Opera in March 2017, he played the leading role in programming its 2017/18 season and, with a good blend of new productions and strong revivals, it looks to be a particularly fine one. Some composers whose operas have been neglected in recent seasons get a look-in, while several contemporary composers also have the opportunity to present new works. Add in the fact that many evenings feature some of the world’s...
Published onthe 25 of April