Simon Boccanegra, originally of 1857 but revised in 1881, has not traditionally been seen as Verdi’s greatest creation. When, however, in 2010 Plácido Domingo took on the title role, his first as a baritone, at the Royal Opera House in Elijah Moshinsky’s 1991 production, it injected a new level of interest into the piece. English National Opera got in on the act with a ‘film noir’ production in 2011, while Moshinsky’s version enjoyed a further revival...

Despite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...

This Magic Flute’s extraordinary production coming from Berlin’s Komische Oper will remain without any doubt a milestone, a reference point in the long history of stagings of this great Mozartian title. The production, which was seen in Madrid this present season and is now visiting Barcelona after having toured with big success through many great theatres, stands out for its originality and pertinence of concept as well as for its powerful visual impact. At last, The Magic...