Gioacchino Rossini’s La Cenerentola, performed here in English as Cinderella, is based on the traditional fairytale. While many versions of it exist, the one that is most widely known in the English speaking world was published in French as Cendrillon by Charles Perrault in his Histoires ou contes du temps passé in 1697. Unlike Perrault’s version, however, Rossini’s steers clear of the more supernatural elements, and many have argued that this reflects the...

Several composers have based operas on plays in Pierre Beaumarchais’s Figaro trilogy, which comprises The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother (1792). By far the most famous of these were written by Mozart, whose 1786 opera has its origins in the second, and Rossini, who in 1816 utilised the first for his own comic masterpiece. Like Donizetti’s Don Pasquale and Richard Strauss’ Der Rosenkavalier that were to...

This autumn English National Opera is exploring the Orpheus myth by presenting four operatic takes on it. Now, following Gluck’s Orpheus and Eurydice and Offenbach’s Orpheus in the Underworld, both of which still have performances that can be seen, comes the third addition to the mix, Harrison Birtwistle’s The Mask of Orpheus. Without a doubt there is no other opera quite like it with the orchestra containing no strings, the score including electronic music (which was...

Félicien David is a French composer of the 19th century, whose works have totally ceased away from the standard concert or opera programmes and even his existence is unknown to a wide number of music lovers. Born in 1810 in Southern France, his musical talent was noticed early and supported. His career ended quickly once he joined the Saint Simonians. Later in his life, he gained back some reputation and contributed one major work to the genre "grand opera", Herculanum, a...