English National Opera has a long and proud tradition of performing works by Gilbert and Sullivan, although the productions they have presented have differed markedly in style. Jonathan Miller’s 1986 staging of The Mikado, which is still going strong having last been revived in 2019, placed the action in a 1920s hotel and revealed the highest levels of exuberance and professionalism. On the other hand, Mike Leigh’s 2015 version of The Pirates of Penzance, most recently seen...

The Yeomen of the Guard of 1888 is one of Gilbert and Sullivan’s richest and darkest operettas. Set in the Tower of London in the sixteenth century, it sees one Colonel Fairfax face execution. The charge of sorcery, however, was the doing of his uncle who stands to inherit his estate if he dies unmarried. Fairfax plans to thwart his relative by marrying in the final hour of his life, and asks his friend Sir Richard Cholmondeley to find a suitable bride who will receive a large...

Any world premiere at one of London’s major opera houses is an exciting occasion, but Ryan Wigglesworth’s The Winter’s Tale was especially so given that it is based on a Shakespeare play that has seldom undergone the operatic treatment. There have been around a dozen works based upon the piece, including Max Bruch’s Hermione, Carlo Emanuele di Barbieri’s Perdita, ein Wintermärchen and John Harbison’s The Winter’s Tale, but that is a paltry...