Béla Bartók’s Duke Bluebeard’s Castle, with a libretto by Béla Balázs, is a one act Symbolist opera, based on the French folk legend as told by Charles Perrault. Bartók originally composed it in 1911, but made quite a few modifications before it premiered at the Royal Hungarian Opera House in Budapest on 24 May 1918. Lasting around an hour, and involving just two singing characters, it tells the story of when Bluebeard brings his new wife...

Jenůfa, which premiered in Brno in 1904, is an opera in three acts by Leoš Janáček to a Czech libretto by the composer. It is based on the play Její pastorkyňa by Gabriela Preissová, and is one of the very first operas to be written in prose. Set in a Moravian village in the nineteenth century, the plot concerns a series of tangled relationships, deriving from the fact that two brothers died leaving behind both children and stepchildren. The elder...

Several composers have based operas on plays in Pierre Beaumarchais’s Figaro trilogy, which comprises The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother (1792). By far the most famous of these were written by Mozart, whose 1786 opera has its origins in the second, and Rossini, who in 1816 utilised the first for his own comic masterpiece. Like Donizetti’s Don Pasquale and Richard Strauss’ Der Rosenkavalier that were to...

Written in 1998 to a libretto by Paul Bentley, Poul Ruders’s The Handmaid’s Tale is based on Margaret Atwood’s eponymous novel of 1985. This means that when he wrote it no-one had even heard of Bruce Miller’s television series that aired in 2017. English National Opera first staged the work in 2003, and then introduced a new production by ENO’s Artistic Director Annilese Miskimmon in 2022. This version has now returned, under revival director James...

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...

Iolanthe; or, The Peer and the Peri of 1882 is the seventh of Gilbert and Sullivan’s fourteen collaborations. It was their first work to premiere at the Savoy Theatre (although Patience had transferred there in 1881) and ran for 398 performances, while also appearing extensively across the United Kingdom and America. It concerns a Fairy named Iolanthe who marries a mortal man. Although this is a capital offence under Fairy law, the Queen of the Fairies curtails her punishment to...