Columns linked to English National Opera

A Deeply Thoughtful and Moving Suor Angelica at the London Col...

Sam Smith

Giacomo Puccini’s Il trittico, which premiered at the Metropolitan Opera in 1918, is a triptych of one-act operas comprising Il tabarro, Suor Angelica and Gianni Schicchi. The composer originally intended for each opera to reflect one part of Dante’s Divina Commedia, although in the event only the final work is based on the poem. As a result, the only theme that really underpins the operas is that they all involve, in one way or another, the concealment of a...


English National Opera Presents Duke Bluebeard’s Castle at the...

Sam Smith

Béla Bartók’s Duke Bluebeard’s Castle, with a libretto by Béla Balázs, is a one act Symbolist opera, based on the French folk legend as told by Charles Perrault. Bartók originally composed it in 1911, but made quite a few modifications before it premiered at the Royal Hungarian Opera House in Budapest on 24 May 1918. Lasting around an hour, and involving just two singing characters, it tells the story of when Bluebeard brings his new wife...


First Rate Performances in Revival of David Alden’s Jenufa at...

Sam Smith

Jenůfa, which premiered in Brno in 1904, is an opera in three acts by Leoš Janáček to a Czech libretto by the composer. It is based on the play Její pastorkyňa by Gabriela Preissová, and is one of the very first operas to be written in prose. Set in a Moravian village in the nineteenth century, the plot concerns a series of tangled relationships, deriving from the fact that two brothers died leaving behind both children and stepchildren. The elder...


Fourteenth Revival of Jonathan Miller’s The Barber of Seville ...

Sam Smith

Several composers have based operas on plays in Pierre Beaumarchais’s Figaro trilogy, which comprises The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother (1792). By far the most famous of these were written by Mozart, whose 1786 opera has its origins in the second, and Rossini, who in 1816 utilised the first for his own comic masterpiece. Like Donizetti’s Don Pasquale and Richard Strauss’ Der Rosenkavalier that were to...


An Intense and Engaging Production of The Handmaid’s Tale at t...

Sam Smith

Written in 1998 to a libretto by Paul Bentley, Poul Ruders’s The Handmaid’s Tale is based on Margaret Atwood’s eponymous novel of 1985. This means that when he wrote it no-one had even heard of Bruce Miller’s television series that aired in 2017. English National Opera first staged the work in 2003, and then introduced a new production by ENO’s Artistic Director Annilese Miskimmon in 2022. This version has now returned, under revival director James...


English National Opera’s Unorthodox but Effective La traviata ...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...