Some productions are tremendous on their first outing and never quite manage to recapture the same brilliance in subsequent revivals. Others discover that they need an initial outing before they find their feet, and the Royal Opera’s Rigoletto, from its Director of Opera Oliver Mears, would seem to fall into this latter category. It first appeared last September, but, aided by an outstanding cast, its first revival feels leaner and meaner in a great many ways. The good news is that...

Rigoletto comes back to Liceu – there will be fifteen performances and it will take the stage for the next few weeks. Verdi’s opera is presented in the same production, with Monique Wagemakers signing as stage director, as in March 2017 which was already reviewed for Opera Online. Nothing essential has changed and its virtues and flows are still present. However, it would seem that in this re-staged version, the actors’ direction and the choir’s movement...

Based on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in...

Based on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in which...

Rigoletto is one of the cornerstones of the repertory of a great opera house like the Paris Opera: you cannot, must not miss it. But at the same time you can’t simply keep repeating conventional images of it. It needs to be part of that ceaselessly shifting movement that still today makes us talk about opera, even in the case of these works from the past. In 1851, Verdi was 38 years old: Rigoletto is thus an opera from his mature period – but most of all...