Columns linked to Joe Hill-Gibbins

First Rate Music Making in Handel’s Giustino at the Royal Ball...

Sam Smith

George Frideric Handel’s Giustino, HWV 37 has an Italian language libretto, the origins of which lie in one created by Nicolò Beregan in 1682. That was first set to music by Giovanni Legrenzi the following year, and was subsequently used by Tomaso Albinoni in 1711 (though his opera is now lost) and Antonio Vivaldi in 1724. The version that Handel used had been adapted from Beregan by Holy Roman Emperor Charles VI’s court poet Pietro Pariati in 1711.  The opera...


First Revival of Joe Hill-Gibbins’ The Marriage of Figaro at t...

Sam Smith

In 2020 director Joe Hill-Gibbins did not have much luck with his new staging of Mozart’s The Marriage of Figaro for English National Opera. Premiering on 14 March of that year, it was set to run until 20 April, but enjoyed no more than its first performance after COVID-19 saw all UK theatres close the following week and a formal lockdown declared on 23 March. What is technically therefore the production’s first revival at the Coliseum is in reality the first time it will...


An Entertaining and Worthwhile The Marriage of Figaro at the L...

Sam Smith

The Marriage of Figaro of 1786 is one of three operas on which Mozart collaborated with the librettist Lorenzo Da Ponte (the others being Don Giovanni and Così fan tutte). It is based on the second of Pierre-Augustin Caron de Beaurmarchais’ trilogy of Figaro plays, while the first was later to be immortalised by Rossini in The Barber of Seville. It centres on the day on which Figaro, valet to Count Almaviva, tries to wed Susanna, maid to...