Excessive in every material and conceptual aspect, hypertrophic, beyond the limits of anything reasonable, redundant in the text to desperation, with a minimal dramatic action that tests the ingenuity and patience of stage directors, with terrible vocal demands, inhumane for the protagonists. Exhausting for everyone, audience included, the Wagnerian Tristan und Isolde is in its overflow one of the most sublime and genius excesses created by Western culture. Once again we have been put...

'There is happiness' and two burning hearts in a soft landscape as a big painting decorates the transparent curtain, as part of this new interpretation of the opera by young Richard Wagner. This reference to the libretto by the master is designed by Director Andreas Homoki who sets the legend of this divine hero and his swan in a very traditional Bavarian environment. The Munich Hofbräuhaus seems to be the model of the stage design and so does the traditional Bavarian costums...