Columns linked to Simón Orfila

I Capuleti e i Montecchi, DiDonato and Ciofi’s great success a...

Xavier Pujol

The dramatic intensity at the heart of Romeo and Juliet’s theme is such that not only can it travel in the Western culture from Shakespeare to Bernstein being reborn in each generation, but it also survives, almost intact, the heavy bel canto rhetoric.  Build upon Felice Romani’s inflamed verses up to a cliché, which at no point come from the Shakespearian referent (we only wish they did), I Capuleti e i Montecchi is still an imperfect Bellini that, although...


Lucia di Lammermoor at Liceu: Florez, a “Di Bella Morte” tenor

Xavier Pujol

The main attraction of this Lucia di Lammermoor presented at Liceu, with 14 performances lasting until after Christmas, was the world’s debut of Juan Diego Flórez as Edgardo, one of the greatest bel canto roles, which the celebrated Peruvian tenor had not yet tackled. Nowadays, this opera is considered a “soprano opera”, but it has not always been this way. Since its premiere in 1835, with the great Gilbert Duprez in the main male character, and until the...