Columns linked to Julie Fuchs

Giulio Cesare at the Liceu: When the best lie is the Truth

Xavier Pujol

In the program booklet, Calixto Bieito stated regarding his work as stage director of Giulio Cesare in Egitto at the Liceu that “the best lie is the truth,” referring to the fact that he does not judge but merely presents the grotesque absurdities of the real world with clarity, and does so through opera—if anyone is to learn something from it, let them do so. Applied to Giulio Cesare, this means presenting the characters as an extravagant tribe of super-millionaires...


L'Incoronazione Di Poppea at Liceu: The Triumph of Evil

Xavier Pujol

L’Incoronazione di Poppea, first performed in Venice in 1642, is unique in the history of opera, not because of its remarkable age or the high quality of its music, after all, there are other operas from the same years, and Monteverdi, the composer of the music, equalled and perhaps surpassed the level reached in this work in other immortal titles such as Orfeo or Il ritorno d'Ulisse in patria. If L'Incoronazione di Poppea is a unique work, it is because of its...


A Pelléas et Mélisande of Dark Beauty at Liceu

Xavier Pujol

Achieving perfection in opera, the most complex form of artistic expression that Western culture has ever created, is not easy, but when it is achieved, the result is magical. The Pelléas et Mélisande currently on stage at Liceu does not reach perfection but it is very, very close to it and it is more than likely that it will become the great show of the season on an artistic level and will remain for many years in the theatre’s memory. Pelléas et...