The overall result of the Un ballo in maschera’s opening at Liceu – presented as the official opening of the season, although the season had de facto already started last month with Il viaggio a Reims – is clear: the men and choir were good, less so the women, passable the conductor and orchestra, ugly and dark the production and very poor the stage direction. Let’s start with what went well. Carlos Álvarez is at the best moment of his career, already...

A dramatic conception that was complex to decipher and perhaps even polemic, a surprising and spectacular visual coldness and a totally convincing musical resolution were the three main axis of the performance of Rigoletto presented by Liceu. It is difficult to dramatically face the great titles of the repertoire because it is a matter of finding the right balance between redundancy and extravagance, two extremes that are both artistically sterile. In this production of the Verdian...

Dark and mysterious is the start of this new production of Otello at the Easter Festival in Salzburg. Desdemona and Otello appear on the vast empty stage embracing each other till the music starts. A huge soft transparent piece of cloth is smoothly waving over the stage like a huge sail and vail. And here he is. Un angelo - the angel, an idea and addition to the cast by French director Vincent Boussard. Played by the dancer Sofia Pintzou, the angel accompanies the story throughout the...