Columns linked to Nardus Williams

English National Opera’s Partenope is as Strong as Ever at the...

Sam Smith

Georg Friedrich Haendel’s Partenope, which premiered at the King's Theatre in London on 24 February 1730, follows the structure and forms of opera seria. It can hardly be described as such, however, since it is so humorous in tone, while the music is relatively light textured. Its libretto was adapted by an unknown hand from one originally written in 1699 by Silvio Stampiglia, and the story’s frivolous nature led the opera company the Royal Academy of Music to reject the...


First Revival of Joe Hill-Gibbins’ The Marriage of Figaro at t...

Sam Smith

In 2020 director Joe Hill-Gibbins did not have much luck with his new staging of Mozart’s The Marriage of Figaro for English National Opera. Premiering on 14 March of that year, it was set to run until 20 April, but enjoyed no more than its first performance after COVID-19 saw all UK theatres close the following week and a formal lockdown declared on 23 March. What is technically therefore the production’s first revival at the Coliseum is in reality the first time it will...


First Revival of Phelim McDermott’s Così fan tutte at the Lond...

Sam Smith

Così fan tutte of 1790 is the third and final opera (after Le nozze di Figaro and Don Giovanni) on which Mozart collaborated with the librettist Lorenzo Da Ponte. Originally set in Naples, it sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that...