The use of a narrative, discursive or argumentative strategy based upon making animals speak is almost as ancient as culture itself. From Aesop to Disney, passing through La Fontaine and Orwell, the device of granting human language to animals has been employed in various ways and for various purposes, yet almost always with an educational aim - education meant in its broadest sense. In one way or another, we are all children of Disney. How many childhood tears, crucial to our emotional...

Claude Debussy’s Pelléas et Mélisande is an opera of disconnections. Mélisande’s first words are, ‘Ne me touchez pas!’ -- ‘Do not touch me!’ And, indeed, she (and everyone else) remains isolated. Not only physical contact, but emotional and intellectual contact seem impossible throughout the opera. Characters fail to understand their own emotions and fail to communicate what little they do understand. They constantly...